A young world traveler recounts his restless adventures, from his experiences at a logging camp in Vermont, to his fish-packing job in Alaska, to his wrestle with death on a Chinese river.
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A young journalist-adventurer takes to the road in the time- honored Kerouac tradition. After a limp first chapter in which he pens sticky, self- referential homage to everyone from Merle Haggard to Robert Frost (``About the poetry: I loved the idea of Robert Frost, a farmer- poet whose hands were calloused, who knew things....I didn't feel like I knew jack''), Heller hits his stride recounting a series of wild, often dangerous adventures, usually in the outdoors. He writes of living with a mercenary in Alaska while working in a cannery, of building sea walls on the Olympic Peninsula, of lobstering with a near-maniacal fisherman in Rhode Island, of kayaking the treacherous rivers of the Soviet High Pamirs, and of witnessing the death of a friend in China. Heller is not so much concerned with place as he is with people, and most of his essays have the fine-tuned dramatic timing of quality fiction. His prose is crisp and filled with many quiet yet effective moments, as in his description of logging in Vermont: ``There is a shuddering of air, a rush and crash of limbs, and you stand in the murmuring stillness, saw idling, as full of life as you've ever been.'' Simple yet often powerful, capturing both the loneliness and the romance of the nomadic life. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
Blood Brook is an unpretentious stream in Vermont, one of two main feeders of Lake Fairlee. It also runs through the homesite of Levin, a talented naturalist and storyteller who imbues these 18 essays with both a sense of nature and an intimate sense of place. From the sequential ripening of fruits with their concurrent displays of colors, timed to satisfy the needs of migrating birds, to the travails of transporting a 30-pound snapping turtle in a stick-shift car, Levin weaves the various aspects of Blood Brook into an accessible whole. When his small son wearies of a nature talk about insects, Levin challenges him to a game of "Let's get the Cricket." When his wife incinerates a black widow spider nest near their son's play area, there are no crocodile tears for the arachnid. For Levin, death's shroud is part of the cloth of nature. Indeed, his description of a bee, destroyed by two ambush bugs as it sips nectar, is strangely, hauntingly beautiful. He even sees extinction as part of nature, dismissing as folly the attempt to save the California condor. Levin ( The Curious Naturalist ) doesn't sugarcoat nature, but his work is all the more fascinating for that.
Copyright 1992 Reed Business Information, Inc.
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