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Although Paul Delvaux (born 1897) is an artist of international standing, his work is relatively little known in the Anglo-Saxon world. This book, the first on the artist written in English, places Delvaux's work in the tradition of European figurative painting, as well as in the more immediate context of twentieth-century Surrealism, exploring the relationship between them as they came together in the artist's works from the 1930s.
David Scott identifies Delvaux's most characteristic contribution to twentieth-century art as that of problematizing academic history painting by surrealizing it. He concentrates on recurrent themes in Delvaux's art, notably his continuing, indeed unremitting, focus on the nude, and on the question of the "legibility" of the works, given the contradictory pictorial codes – academic and Surrealist – that Delvaux adopts in them.
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David Scott is Associate Professor of French at Trinity College, Dublin. He is the editor of the Garnier-Flammarion edition of Baudelaire's Le Spleen de Paris.
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Book Description Reaktion Books, London, 1992. SOFTCOVER. Condition: New. No Jacket. 1st Edition. Large Octavo size (8vo) in colour printed stiff glossy card covers, 136pp, plates etc. . . . . . [ CONDITION : An extremely well preserved AS NEW copy ] . . . . . . . . . . . . . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box. . . . . . . . We always ship in PROTECTIVE CARD PARCELS. Seller Inventory # T16N1763
Book Description Reaktion Books, 1997. Paperback. Condition: New. Never used!. Seller Inventory # P110948462396
Book Description Reaktion Books, 1997. Condition: New. book. Seller Inventory # M0948462396