Sensory Crossovers: Synesthesia in American Art

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9780977991051: Sensory Crossovers: Synesthesia in American Art
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Synesthesia in its simplest terms refers to sensory fusions or crossovers. Interest peaked between 1890 and 1930, when synesthesia became a focus of serious attention in the fields of visual art, music, literature and linguistics. During that period, Edvard Munch and Wassily Kandinsky were probably the best-known painters to respond visually to non-visual sensory stimuli. This catalogue brings alive synesthesia's underpinnings, with a broader study documenting the formal and expressive purposes these crossovers have served for American painters.

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This catalogue brings alive synesthesia's underpinnings, with a broader study documenting the formal and expressive purposes these crossovers have served for American painters.

About the Author:

Sharyn R. Udall is an Art Historian, author, and independent curator who has written, taught and lectured widely on the art of the Americas. She takes a special interest in women in the visual arts, in the transnational arts of the Americas, and in interdisciplinary associations among artists and writers.

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Book Description Albuquerque Museum of Art and History, United States, 2012. Paperback. Condition: New. Language: English. Brand new Book. Synesthesia in its simplest terms refers to sensory fusions or crossovers. Interest peaked between 1890 and 1930, when synesthesia became a focus of serious attention in the fields of visual art, music, literature and linguistics. During that period, Edvard Munch and Wassily Kandinsky were probably the best-known painters to respond visually to non-visual sensory stimuli. This catalogue brings alive synesthesia's underpinnings, with a broader study documenting the formal and expressive purposes these crossovers have served for American painters. Seller Inventory # AAN9780977991051

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Book Description Albuquerque Museum of Art and History, United States, 2010. Paperback. Condition: New. Language: English . Brand New Book. Synesthesia in its simplest terms refers to sensory fusions or crossovers. Interest peaked between 1890 and 1930, when synesthesia became a focus of serious attention in the fields of visual art, music, literature and linguistics. During that period, Edvard Munch and Wassily Kandinsky were probably the best-known painters to respond visually to non-visual sensory stimuli. This catalogue brings alive synesthesia s underpinnings, with a broader study documenting the formal and expressive purposes these crossovers have served for American painters. Seller Inventory # AAN9780977991051

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