Khalid Amine Performing Transformations

ISBN 13: 9780982440964

Performing Transformations

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Selected proceedings of the 8th Annual Tangier (Morocco) International Conference – 2012

A collection of papers contributed by leading scholars of performance studies from around the world (eight countries - in Africa, Asia, Americas, Europe).

In the context of the transformational so-called "Arab Spring" and in honor of Erika Fischer-Lichte, Head of DFG Collaborative Research Centre "Performing Cultures" and Director of BMBF International Research Centre "Interweaving Cultures in Performance", Berlin, Germany.

Featuring Fischer-Lichte’s foundational piece, “The Emergence of New Theatrical Communities: How Cultures Interweave in Performance”

"It is altogether appropriate that at a conference in 2012 dedicated to the theme of Spectacle and Transformation that particular attention is being paid to the career and works of the German scholar Erika Fischer-Lichte, since there is no international scholar today whose administrative and academic work of the past three decades and more has been more instrumental in stimulating and shaping the transformation that the international study and practice of theatre has undergone during this period." Marvin Carlson, City University of New York

Articles and authors include:

Prologue: Performing Transformations – Khalid Amine (Morocco) and George F Roberson (USA)

Erika Fischer-Lichte and the Transformative Power of Scholarship – Marvin Carlson (USA)

The Affective Public Sphere: Romeo Castellucci’s “On the Concept of the Face regarding the Son of God” – Christopher Balme (Germany)

Imagining with Others: the Transformative Process of the Royal Court Theatre’s International Department – Elaine Aston (UK) and Mark O’Thomas(UK)

The Performance of Performance: Diana Raznovich and the Theater of Gender – Amy Kaminsky (USA)

Transformational Alchemy in “Contra el viento” and “El tiempo entre costuras” – Sandra J. Schumm (USA)

The Citizen versus the Stateless in the Nation-State – S E Wilmer (Ireland)

Transformative Effects of Ta’ziyeh versus Intercultural Models of Performance Theory – Mohammad Jafar Yousefian Kenari (Iran)

Reenacting Revolution and the New Public Sphere in Tunisia, Egypt, and Morocco – Khalid Amine (Morocco)

Staging as a Historical Event: the Tunisian Revolution Anticipated by Fadhel Jaïbi and Jalila Baccar – Monica Ruocco (Italy)

Epilogue: Performing Tangier – Rustom Bharucha (India)

"synopsis" may belong to another edition of this title.

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