Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Julian Meyrick discusses a rising controversy in the repertoire of our national stages. As the mainstage vogue for resetting familiar international classics in an Australian context continues, playwrights believe their work is being depreciated. The issue of adaptations, writes Meyrick, is a symbol of loss within the Australian dramatic consciousness. It is not about defending Tennessee Williams over David Williamson, but about the value of our national drama.He contends that audiences no longer understand the difference between making a new play and buying an old one. Something crucial has been lost about our ability and need to nurture and produce original drama; and public policy has been a contributor. To remedy this, he concludes, we need a national theatre. Not a building or a company but a co-commissioning, co-production house to address, seriously, the growth of our own classic repertoire. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780987211491
Seller: Goulds Book Arcade, Sydney, Newtown, Sydney, NSW, Australia
Paperback. Condition: Very Good. 85 pages. The cover has a little wear. The page edges are lightly tanned. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Seller Inventory # 177418
Quantity: 1 available
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. Julian Meyrick discusses a rising controversy in the repertoire of our national stages. As the mainstage vogue for resetting familiar international classics in an Australian context continues, playwrights believe their work is being depreciated. The issue of adaptations, writes Meyrick, is a symbol of loss within the Australian dramatic consciousness. It is not about defending Tennessee Williams over David Williamson, but about the value of our national drama.He contends that audiences no longer understand the difference between making a new play and buying an old one. Something crucial has been lost about our ability and need to nurture and produce original drama; and public policy has been a contributor. To remedy this, he concludes, we need a national theatre. Not a building or a company but a co-commissioning, co-production house to address, seriously, the growth of our own classic repertoire. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780987211491
Quantity: 1 available