David Damschroder Harmony in Beethoven

ISBN 13: 9781107134584

Harmony in Beethoven

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David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system's key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven's piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.

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David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. The early chapters guide readers in establishing a broad and penetrating perspective on harmony, while the later chapters extend into the realm of Schenkerian analysis.

About the Author:

David Damschroder is Professor of Music Theory at the University of Minnesota. His current research focuses on harmony in tonal music, a project that began with a careful examination of historical analytical practices, the basis for his Thinking about Harmony: Historical Perspectives on Analysis (Cambridge, 2008). The project continues with focused studies on selected repertoires: Harmony in Schubert (Cambridge, 2010), Harmony in Haydn and Mozart (Cambridge, 2012), Harmony in Chopin (Cambridge, 2015), and the present book. He has written textbooks on music fundamentals and ear-training/sight-singing, and his articles and reviews have appeared in numerous journals.

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2016. Hardback. Condition: New. Language: English . Brand New Book. David Damschroder s ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book s introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system s key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven s piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words. Seller Inventory # AAZ9781107134584

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2016. Hardback. Condition: New. Language: English . Brand New Book. David Damschroder s ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book s introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system s key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven s piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words. Seller Inventory # AAZ9781107134584

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Book Description Cambridge University Press, 2016. Condition: New. David Damschroder's new analytical perspective sheds fresh light on Beethoven's harmonic structures. Num Pages: 304 pages, 118 music examples. BIC Classification: AVA; AVGC4; AVGC5; AVH. Category: (U) Tertiary Education (US: College). Dimension: 247 x 174. . . 2016. Hardcover. . . . . . Seller Inventory # V9781107134584

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Book Description Cambridge University Press. Condition: New. David Damschroder's new analytical perspective sheds fresh light on Beethoven's harmonic structures. Num Pages: 304 pages, 118 music examples. BIC Classification: AVA; AVGC4; AVGC5; AVH. Category: (U) Tertiary Education (US: College). Dimension: 247 x 174. . . 2016. Hardcover. . . . . Books ship from the US and Ireland. Seller Inventory # V9781107134584

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