Theatre flourished in the Roman Republic, from the tragedies of Ennius and Pacuvius to the comedies of Plautus and Terence and the mimes of Laberius. Yet apart from the surviving plays of Plautus and Terence the sources are fragmentary and difficult to interpret and contextualise. This book provides an up-to-date and comprehensive history of all aspects of the topic, incorporating recent findings and modern approaches. It discusses the origins of Roman drama and the historical, social and institutional backgrounds of all the dramatic genres to be found during the Republic (tragedy, praetexta, comedy, togata, Atellana, mime and pantomime). Possible general characteristics are identified, and attention is paid to the nature of and developments in the various genres. The clear structure and full bibliography also ensure that the book has value as a source of reference for all upper-level students and scholars of Latin literature and ancient drama.
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Gesine Manuwald is a Lecturer in Latin at University College London. Her research interests include Cicero's orations, Flavian epic and neo-Latin literature, on which she has published several books and many articles. Her main focus of research is Roman drama. She has written extensively on the subject, including several articles on Roman comedy, a book on fabulae praetextae, Roman Historical Dramas (2001) and, most recently, a reader on Roman drama (2010).
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Paperback. Condition: new. Paperback. Theatre flourished in the Roman Republic, from the tragedies of Ennius and Pacuvius to the comedies of Plautus and Terence and the mimes of Laberius. Yet apart from the surviving plays of Plautus and Terence the sources are fragmentary and difficult to interpret and contextualise. This book provides a comprehensive history of all aspects of the topic, incorporating recent findings and modern approaches. It discusses the origins of Roman drama and the historical, social and institutional backgrounds of all the dramatic genres to be found during the Republic (tragedy, praetexta, comedy, togata, Atellana, mime and pantomime). Possible general characteristics are identified, and attention is paid to the nature of and developments in the various genres. The clear structure and full bibliography also ensure that the book has value as a source of reference for all upper-level students and scholars of Latin literature and ancient drama. A comprehensive history of Roman drama from its beginnings until the end of the Republican period. Its clear structure and full bibliography also ensure that the book has value as a source of reference for all upper-level students and scholars of Latin literature and ancient drama. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781107696099
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Cambridge University Press, Cambridge, 2015. 1st paperback ed. XII,390p. Paperback. 'Gesine Manuwald, who has written extensively on the field, here gives a valuable overview and synthesis of research on a wide range of questions relating to what she aptly calls 'the sweeping and imprecise term ?Roman Republican drama?' (vii). Her treatment addresses questions about the history, archaeology, performance, poets, and contents of the diverse varieties of dramatic performance in the republican period, and, although some gaps in its coverage will doubtless be felt, there can be no questioning its value on what our texts say, what was said in antiquity about drama, and especially what modern scholarship has to say. This book has much to contribute to the contemporary flourishing of scholarship on Roman drama (.).' (JARRETT WELSH in Bryn Mawr Classical Review 2012.07.43). Seller Inventory # 43068
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Tapa blanda. MANUWALD, G.: ROMAN REPUBLICAN THEATRE. CAMBRIDGE, 2015, 404 p., 595 gr. Encuadernacion original. Nuevo. (D/DT) 595 gr. Libro. Seller Inventory # 581627
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