Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance (Palgrave Studies in Performance and Technology)

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Sensualities/Textualities & Technologies: Writings of the Body in 21st Century Performance explores the interrelation of text, body and technology in performance. It provides an edited collection which reconsiders textual practices in contemporary performance specifically focussing on the exciting exchange between writerly texts, body and technology. It also adds a further dimension to Palgrave Macmillan's series on technological art and performance practices which includes Broadhurst's and Machon's Performance and Technology and Broadhurst's Digital Practices. This book focuses on and analyses textual practices that are central to contemporary performance. Importantly, it offers an interrogation of diverse 'textualities', that is, performance writing indebted to sensual 'writings of the body' in all manner of ways. The collection looks to new approaches offered by ongoing textual practices in physical, visual and virtual performances that incorporate new and existing technologies.

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About the Author:

Susan Broadhurst is a writer and practitioner in the creative arts. She is Professor of Performance and Technology within the School of Arts at Brunel University, West London, UK. She is the author of Liminal Acts: A Critical Overview of Contemporary Performance and Theory (1999) and Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology (2007), and co- editor of Performance and Technology: Practices of Virtual Embodiment and Interactivity (2006) and the online journal Body, Space & Technology. Susan is currently working on a series of collaborative practice-based research projects entitled 'Intelligence, Interaction, Reaction and Performance', which involve introducing various interactive digital technologies into live performance.

Dr. Josephine Machon is a writer and practitioner in the creative arts and a Lecturer in Drama at Brunel University, West London, UK. She is the author of (Syn)aesthetics – redefining Visceral Performance (2009) and co-editor of Performance and Technology: Practices of Virtual Embodiment and Interactivity (2006). Josephine has been the Sub-Editor of the on-line journal, Body, Space & Technology, since its inception in July 2001. As a practitioner, Josephine's past and present collaborations explore the fusion of embodied practice, written text, space and technologies within playful performance encounters.

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'A challenging, occasionally irritating, but always worthwhile entry in a growing critical field. Summing Up: Recommended. Graduate students, researchers, faculty, professionals'
- R. Remshardt, University of Florida, Choice 2010 title

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9780230220256: Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance (Palgrave Studies in Performance and Technology)

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