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Synopsis
Digital interactive audio is the future of audio in media - most notably video games, but also web pages, theme parks, museums, art installations and theatrical events. Despite its importance to contemporary multi-media, this is the first book that provides a framework for understanding the history, issues and theories surrounding interactive audio. Karen Collins presents the work of academics, composers and sound programmers to introduce the topic from a variety of angles in order to provide a supplementary text for music and multimedia courses. The contributors cover practical and theoretical approaches, including historical perspectives, emerging theories, socio-cultural approaches to fandom, reception theory and case study analyses. The book offers a fresh perspective on media music, one that will complement film studies, but which will show the necessity of a unique approach when considering games music.
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About the Author
Karen Collins is based in the Canadian Centre of Arts and Technology at the University of Waterloo, Canada.
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From Pac-man to Pop Music : Interactive Audio in Games and New Media
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From Pac-man to Pop Music : Interactive Audio in Games and New Media
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From Pac-Man to Pop Music: Interactive Audio in Games and New Media
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From Pac-man to Pop Music : Interactive Audio in Games and New Media
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From Pac-man to Pop Music : Interactive Audio in Games and New Media
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From Pac-man to Pop Music: Interactive Audio in Games and New Media
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From Pac-Man to Pop Music
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Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Karen Collins is based in the Canadian Centre of Arts and Technology at the University of Waterloo, Canada.Digital interactive audio is the future of audio in media - most notably video games, but also web pages, theme parks, museums, art installations . Seller Inventory # 595403665
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