Local Music Scenes and Globalization: Transnational Platforms in Beirut (Routledge Studies in Ethnomusicology)

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This book offers the first in-depth study of experimental and popular music scenes in Beirut, looking at musicians working towards a new understanding of musical creativity and music culture in a country that is dominated by mass-mediated pop music, and propaganda. Burkhalter studies the generation of musicians born at the beginning of the Civil War in the Lebanese capital, an urban and cosmopolitan center with a long tradition of cultural activities and exchanges with the Arab world, Europe, the US, and the former Soviet Union. These Lebanese rappers, rockers, death-metal, jazz, and electro-acoustic musicians and free improvisers choose local and transnational forms to express their connection to the broader musical, cultural, social, and political environment. Burkhalter explores how these musicians organize their own small concerts for ‘insider’ audiences, set up music labels, and network with like-minded musicians in Europe, the US, and the Arab world. Several key tracks are analyzed with methods from ethnomusicology, and popular music studies, and contextualized through interviews with the musicians. Discussing key references from belly dance culture (1960s), psychedelic rock in Beirut (1970s), the noises of the Lebanese Civil war (1975-1990), and transnational Pop-Avant-Gardes and World Music 2.0 networks, this book contributes to the study of localization and globalization processes in music in an increasingly digitalized and transnational world. At the core, this music from Beirut challenges "ethnocentric" perceptions of "locality" in music. It attacks both "Orientalist" readings of the Arab world, the Middle East, and Lebanon, and the focus on musical "difference" in Euro-American music and culture markets. On theoretical grounds, this music is a small, but passionate attempt to re-shape the world into a place where "modernity" is not "euro-modernity" or "euro-american modernity," but where possible new configurations of modernity exist next to each other.

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About the Author:

Thomas Burkhalter is an ethnomusicologist, music journalist, and cultural producer from Bern, Switzerland.

Review:

"In this welcome volume, Burkhalter introduces the reader to a string of flourishing, cosmopolitan alternative music scenes in Beirut, via a survey of several musical genres (electronica, jazz, rap, metal and others), an in-depth discussion of several tracks and a contextual history of Lebanese popular music." --Abigail Wood, University of Haifa, Israel, Ethnomusicology Forum

"The book starts expressing its ethno-musicological attitude towards the whole subject...Thomas Burkhalter succeeded to give me as a reader the chance to understand the contemporary lifeworld behind it, from various viewpoints. It leaves me with checking the music, making my own selection based upon what I consider as discovering creative messages, while focusing on the creative quality alone this time." - Psychemusic.org

"Local Music Scenes and Globalization provides its reader with an intimate view into the networks and lives of musicians in Beirut... scholars of popular music, “world” musics of all types and media scholars dealing with digitization and globalization will find much material of use in this text, given its varied approach to its subjects." - Ross Hagen, Utah Valley University, JWPM

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9780415808132: Local Music Scenes and Globalization: Transnational Platforms in Beirut (Routledge Studies in Ethnomusicology)

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ISBN 10:  0415808138 ISBN 13:  9780415808132
Publisher: Routledge, 2012
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Book Description Taylor Francis Ltd, United Kingdom, 2015. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. This book offers the first in-depth study of experimental and popular music scenes in Beirut, looking at musicians working towards a new understanding of musical creativity and music culture in a country that is dominated by mass-mediated pop music, and propaganda. Burkhalter studies the generation of musicians born at the beginning of the Civil War in the Lebanese capital, an urban and cosmopolitan center with a long tradition of cultural activities and exchanges with the Arab world, Europe, the US, and the former Soviet Union. These Lebanese rappers, rockers, death-metal, jazz, and electro-acoustic musicians and free improvisers choose local and transnational forms to express their connection to the broader musical, cultural, social, and political environment. Burkhalter explores how these musicians organize their own small concerts for insider audiences, set up music labels, and network with like-minded musicians in Europe, the US, and the Arab world. Several key tracks are analyzed with methods from ethnomusicology, and popular music studies, and contextualized through interviews with the musicians. Discussing key references from belly dance culture (1960s), psychedelic rock in Beirut (1970s), the noises of the Lebanese Civil war (1975-1990), and transnational Pop-Avant-Gardes and World Music 2.0 networks, this book contributes to the study of localization and globalization processes in music in an increasingly digitalized and transnational world. At the core, this music from Beirut challenges ethnocentric perceptions of locality in music. It attacks both Orientalist readings of the Arab world, the Middle East, and Lebanon, and the focus on musical difference in Euro-American music and culture markets. On theoretical grounds, this music is a small, but passionate attempt to re-shape the world into a place where modernity is not euro-modernity or euro-american modernity, but where possible new configurations of modernity exist next to each other. Seller Inventory # AAV9781138849716

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Book Description Routledge. Paperback. Condition: New. 304 pages. This book offers the first in-depth study of experimental and popular music scenes in Beirut, looking at musicians working towards a new understanding of musical creativity and music culture in a country that is dominated by mass-mediated pop music, and propaganda. Burkhalter studies the generation of musicians born at the beginning of the Civil War in the Lebanese capital, an urban and cosmopolitan center with a long tradition of cultural activities and exchanges with the Arab world, Europe, the US, and the former Soviet Union. These Lebanese rappers, rockers, death-metal, jazz, and electro-acoustic musicians and free improvisers choose local and transnational forms to express their connection to the broader musical, cultural, social, and political environment. Burkhalter explores how these musicians organize their own small concerts for insider audiences, set up music labels, and network with like-minded musicians in Europe, the US, and the Arab world. Several key tracks are analyzed with methods from ethnomusicology, and popular music studies, and contextualized through interviews with the musicians. Discussing key references from belly dance culture (1960s), psychedelic rock in Beirut (1970s), the noises of the Lebanese Civil war (1975-1990), and transnational Pop-Avant-Gardes and World Music 2. 0 networks, this book contributes to the study of localization and globalization processes in music in an increasingly digitalized and transnational world. At the core, this music from Beirut challenges ethnocentric perceptions of locality in music. It attacks both Orientalist readings of the Arab world, the Middle East, and Lebanon, and the focus on musical difference in Euro-American music and culture markets. On theoretical grounds, this music is a small, but passionate attempt to re-shape the world into a place where modernity is not euro-modernity or euro-american modernity, but where possible new configurations of modernity exist next to each other. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Seller Inventory # 9781138849716

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