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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 235. Chapters: Bedroom musicians, Child indie musicians, Indie music record labels, Indie pop, Indie rock, The Elephant 6 Recording Company, Jeepster Records, Wiiija, Dischord Records, Factory Records, Sympathy for the Record Industry, Peaches, Meg & Dia, 4AD, Erased Tapes Records, Independent music, Third Man Records, Hellogoodbye, Velvet Blue Music, Cut-throat Records, Bradford Cox, Paper Bag Records, Never Shout Never, Indie music scene, Saddle Creek Records, Breathe Carolina, Meiko, Your Choice Records, Slumberland Records, Arts & Crafts, Bryyn, Transgressive Records, Fried Egg Records, Ache Records, Food Records, Seaport Music Festival, Jay Brannan, Heartbeat Productions, Situation Two, Analog Rebellion, Thinner, Merge Records, Zoo Records, Australian indie rock, Spinalonga Records, Lucas Cruikshank, Recreational Records, Camera Obscura, Label Fandango, 415 Records, Buddyhead Records, ATP Recordings, Creation Records, The Cartel, Cher Doll Records, Big Brother Recordings, The Social Registry, Duophonic Records, Six Shooter Records, Fantastic Plastic Records, The Subway Organization, Bakery Music, The Mylene Sheath, Mint Records, 24 Hour Service Station, Inertia, Bar/None Records, Heavenly Records, Strange Fruit Records, XL Recordings, River Jones Music, Wall of Sound, Fat Cat Records, Good Vibrations, Blonde Vinyl, Domino Records, Joyful Noise Recordings, Matador Records, Cooking Vinyl, The Ford Plant, Deep Elm Records, Springman Records, Constellation Records, Mono Vs Stereo, Iodine Recordings, Green Cookie Records, Kreislauf, Up Records, Guerrilla gig, Afternoon Records, Beserkley Records, Upper Class Recordings, Catbird Records, Machine Records, 50 Records, The Leaf Label, Exit Stencil Recordings, Damaged Goods, TeenBeat Records, ANTI-, Half A Cow, Sons Ltd, 1965 Records, Kelp Records, RCRD LBL, Neon Gold Records, Allalom...
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