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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 129. Chapters: Stained glass, British and Irish stained glass, History of optics, Roman glass, Anglo-Saxon glass, Robert H. Brill, Egyptian faience, Ernst Abbe, Glassblowing, Islamic glass, Tin-glazing, Tin-glazed pottery, Early modern glass in England, Forest glass, Hellenistic Glass, Sassanian glass, History of glass in sub-Saharan Africa, Saint-Gobain, Morris & Co., Ancient glass trade, Medieval stained glass, Hebron glass, Ancient Chinese glass, Hedwig glass, Pauly & C. - Compagnia Venezia Murano, J&R Lamb Studios, Verreville Glass and Pottery Works, Glasgow, Rayonnant, Elegant glass, Murano glass, Float glass, Corning Museum of Glass, William Warrington, Glasswort, Venetian glass, Barilla, Hostmaster, Depression glass, Mason jar, Manufacture royale de glaces de miroirs, Otto Schott, John Thornton, Apsley Pellatt, Purpurin, Bohemian glass, Charles Eamer Kempe, Michael Joseph Owens, Hermann von Münster, Harry Clarke - Darkness In Light, Valentin Bousch, Thomas Glazier, Luck of Edenhall, Rhinestone, Houghton family, Crown glass, Friedrich, Turner Museum of Glass, Georg Friedrich Strass, Reduction of Hours of Work Convention, 1935, Flexible glass, Sheet-Glass Works Convention, 1934, Sarai Shishgaran, Planetarium Jena, National Glass Workers' Trade Protection Association. Excerpt: The term stained glass can refer to coloured glass as a material or to works produced from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic leadlight and objets d'art created from lead came and copper foil ...
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