Muzykalnaya forma: Muzykalnye formy, Sonatnaya forma, Fuga, Rondo, Variatsionnaya forma, Znamennoe penie, Kantsona, Balet, Opera, Melodiya (Russian Edition)

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9781233660513: Muzykalnaya forma: Muzykalnye formy, Sonatnaya forma, Fuga, Rondo, Variatsionnaya forma, Znamennoe penie, Kantsona, Balet, Opera, Melodiya (Russian Edition)
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Istochnik: Wikipedia. Stranitsy: 50. Glavy: Muzykalʹnye formy, Sonatnaya forma, Fuga, Rondo, Variatsionnaya forma, Znamennoe penie, Kantsona, Balet, Opera, Melodiya, Kanon, Starinnaya kontsertnaya forma, Tsiklicheskie formy, Sonatno-simfonicheskiĭ tsikl, Motiv, Oratoriya, Fraza, Madrigal, Izoritmiya, Bar, Bagatelʹ, Sonatnaya forma s dvoĭnoĭ ekspozitsiyeĭ, Tema, Rondo-sonata, Syuita, Starinnaya sonatnaya forma, Kantilena, Tokkata, Ariya da capo, Skertso, Slozhnaya trëkhchastnaya forma, Period, Ekspozitsiya, Partita, Figura, Tekstomuzykalʹnaya forma, Vstuplenie, Razrabotka, Razmer takta, Kantata, Koda, Prostaya dvukhchastnaya forma, Koncherto grosso, Trio-sonata, Poema, Kanon re mazhor, Repriza, Rapsodiya, Khoralʹnaya prelyudiya, Divertisment, Muzykalʹnyĭ moment, Predykt, Kvartet, Sonatina, Popurri, Vire·еe, Ariozo, Svadebnyĭ marsh, Prostaya trëkhchastnaya forma. Vyderzhka: Sonátnaya fórma - muzykalʹnaya forma, sostoyashchaya iz trëkh osnovnykh razdelov, gde v pervom razdele (ekspozitsii) protivopostavlyayut·sya glavnaya i pobochnaya partii, vo vtorom (razrabotke) eti temy razvivayut·sya, v tretʹem (reprize) povtoryaet·sya ekspozitsiya s tonalʹnymi (i, vozmozhno, inymi) izmeneniyami. Lyudvig van Betkhoven. Sonata dlya fortepiano No. 30, or. 109 (avtograf)Sonatnaya forma - naibolyee razvitaya iz vsekh gomofonnykh form. Ona daët vozmozhnostʹ obʺedinitʹ samyĭ raznoobraznyĭ material, inogda na ochenʹ bolʹshom vremennom prostranstve. Otlichie sonatnoĭ formy ot vsekh drugikh zaklyuchaet·sya v tom, chto razvivayushchiĭ razdel (razrabotka) yavlyaet·sya tsentralʹnym po svoemu znacheniyu, v nem proyavlyaet·sya osnovnaya idyeya sonatnoĭ formy - konfliktnostʹ i dinamika razvitiya. Ni v kakoĭ drugoĭ forme razvitie ne imelo opredelyayushchego, «idyeĭnogo» znacheniya. Sonatnaya forma stala naibolyee polnym vyrazheniem idyeĭ yevropyeĭskogo klassitsizma. V nyeĭ imyeet mesto konfliktnoe sopostavlenie dvukh obrazov (glavnaya partiya i pobochnaya partiya), razvit...

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