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Vastly entertaining and outright hilarious, Paul Murray’s debut heralds the arrival of a major new Irish talent. His protagonist is endearing and wildly witty–part P. G. Wodehouse’s Bertie Wooster, with a cantankerous dash of A Confederacy of Dunces’ Ignatius J. Reilly thrown in. With its rollicking plot and colorful characters, An Evening of Long Goodbyes is a delightful and erudite comedy of epic proportions.
Charles Hythloday observes the world from the comfortable confines of Amaurot, his family estate, and doesn’t much care for what he sees. He prefers the black-and-white sanctum of classic cinema–especially anything starring the beautiful Gene Tierney–to the roiling and rumbling of twenty-first-century Dublin. At twenty-four, Charles aims to resurrect the lost lifestyle of the aristocratic country gentleman–contemplative walks, an ever-replenished drink, and afternoons filled with canapés as prepared by the Bosnian housekeeper, Mrs. P.
But Charles’s cozy existence is about to face a serious shake-up. His sister, Bel, an aspiring actress and hopeless romantic, has brought to Amaurot her most recent–and to Charles’s mind, most ill-advised–boyfriend. Frank is hulking and round, and resembles nothing so much as a large dresser, probably a Swedish one. He bets on greyhounds and talks endlessly of brawls and pubs in an accent that brings tears to Charles’s eyes. And, most suspiciously, his entrance into the Hythlodays’ lives just happens to coincide with the disappearance of an ever-increasing number of household antiques and baubles.
Soon, Charles and Bel discover that missing heirlooms are the least of their worries; they are simply not as rich as they have always believed. With the family fortune teetering in the balance, Charles must do something he swore he would never do: get a job. Booted into the mean streets of Dublin, he is as unprepared for real life as Frank would be for a cotillion. And it turns out that real life is a tad unprepared for Charles, as well.
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PAUL MURRAY was born in 1975. He studied English literature it Trinity College, Dublin, and took a master’s degree in creative writing at the University of East Anglia. A former bookseller, Murray lives in Dublin. An Evening of Long Goodbyes, his first novel, was shortlisted for the Whitbread Prize, and earned Murray a nomination for the Kerry Irish Fiction Award.Excerpt. © Reprinted by permission. All rights reserved.:
A black wind was blowing outside the bow window. All afternoon it had been playing its tricks: scooping up handfuls of leaves and flinging them over the lawn, spinning Old Man Thompson’s weather vane this way and that, seizing rapaciously at Bel’s ruby leather coat as she battled down the driveway to her audition. Now and then, from the rear of the house, I would hear it shriek through the bones of the Folly, and I’d look up from the TV with a start. If this were Kansas—I remember thinking—it might have been the beginnings of a terrible Twister; but this wasn’t Kansas, and what the wind blew in was worse than witches or winged monkeys. For today was the day that Frank arrived at Amaurot.
It was after four but I was still in my dressing gown, recuperating on the chaise longue in front of an old black-and-white movie that starred Mary Astor in an array of hats. I’d been out the night before with Pongo McGurks and possibly overdone it a little, insofar as I’d woken up on the billiard table with a splitting headache and wearing someone else’s sarong. By now, though, I was feeling much better. In fact, I was feeling particularly at one with the world, supping at a bowl of special medicinal consommé that Mrs. P. had made for me, thinking that no one wore a hat quite like Mary Astor—and then I caught my first sight of him, it: a large, vaguely humanoid shape shifting about behind the glass frieze that looked onto the hallway. It didn’t fit any of the shapes that should by rights have been there—not Bel’s slender figure, nor Mrs. P.’s squat domestic trapezium: This shape was bulky and distended, grotesquely so, like one of those self-assembly IKEA wardrobes I’d seen advertised on TV. I raised myself up on my elbows and called out: “Who’s there!”
There was no reply; and suddenly the figure was gone from the glass. I put down my consommé with a little sigh. I am not so vain as to think myself, in the general run of things, any more heroic than the next fellow; still, a man’s home is his castle, and when Swedish furniture decides to have a wander through it, one must take the appropriate measures. Tying the belt of my dressing gown and picking up the poker, I stole over to the drawing room door. The hallway was empty. I cupped a hand to my ear but heard only the sound of the house itself, like an endless exhalation of air echoing between the high ceilings and wood floors.
I was beginning to think I must have imagined it; but I seemed to remember someone telling me about a rash of break-ins recently, so just to be certain, I continued down the hall. There were plenty of nooks in which a miscreant could hide. Holding my poker at the ready in case he tried an ambush, I checked the library and the recital room—slowly twisting the knob, then swiftly thrusting open the door—to find nothing. Nothing lurked behind the Brancusi Janus; no one loomed beneath Mother’s sprawling poinsettia. On an impulse I tried the double doors of the ballroom; they were locked, of course, as they always were.
Relieved, I was on my way to the kitchen to have a cursory look around and also to see if there was anything by way of biscuits to follow the consommé, when a noise came from behind me. I spun round just as the door of the cloakroom burst open—and there, lumbering toward me, was the hideous Shape! Without the benefit of frosted glass between us, it was even more gruesome—my nerve quite failed me, the poker freezing midswing—
“Charles!” cried my sister, ghosting up suddenly at the Thing’s shoulder.
“Haugh,” the Thing snarled, before I recovered my wits and caught it a good blow on the temple, sending it tumbling to the floor with a thud which rattled Mother’s china collection clear in the next room.
There was a moment of silence. Outside the house the wind snapped and howled.
“God, Charles, what have you done?” Bel said, hovering apprehensively over the stricken beast.
“Don’t worry, he’s still breathing,” I reassured her. “Anyway, it’s no more than he deserves. Breaking into someone else’s house like that—it’s a good thing you weren’t here on your own, Bel, he’s a vicious-looking brute.”
“That’s frank, Charles,” she moaned.
“Yes, it is, and I wish you hadn’t had to see it, but the fact is that this is the world we live in, and—”
“No, you idiot, I mean that’s Frank, he’s a—a friend of mine. We’re going out this evening.” She knelt down to examine the creature’s forehead. “If he regains consciousness.”
“Oh,” I said. Through the door I glimpsed Mary Astor dancing a daring Charleston in a man’s trilby and wished—not for the first or the last time—that I could step into the screen and join her.
“Is that all you can say, ‘Oh’?” Bel half-rose again, the better to chastise me. “The poor guy takes an afternoon off work just to give me a lift back from that stupid audition, and then before I can even offer him a drink, you—you assault him.”
“I thought he was a burglar,” I protested.
“A burglar,” Bel repeated.
“Well, there’s been that rash of break-ins,” I said, “and”—there was really no nice way to put this—“he does look like a burglar, Bel, you have to admit. I mean, look at him.”
We turned our attention to the figure on the floor. He wore a denim jacket, a grubby white shirt, and nondescript brown shoes. He was very large and, in some unplaceable way, lumpy. His head, however, was what really fascinated me. It resembled some novice potter’s first attempt at a soup tureen, bulbous and pasty, with one beetling eyebrow, a stubbly jaw, and less than the full complement of teeth; to describe his ears as asymmetrical would be to do asymmetry a disservice.
“What do you mean, ‘disservice’?” Bel exclaimed when I pointed this out to her. “Charles, you practically kill someone and all you can think to do is stand around criticizing his ears? What’s wrong with you?”
“It’s not just his ears,” I said. “Think about it. Can you imagine what Mother would say, confronted with that?”
“I know quite well what she’d say,” Bel said sourly. “She’d say that she felt quite faint, and could someone please pour her a glass of gin.”
“Mother’s nerves are no laughing matter,” I reproved her, but she was already heading for the kitchen, reappearing a moment later with a tea towel full of ice cubes just as her creature was coming to its senses.
“Janey,” it said. “Fuck.”
“Are you all right?” Bel asked, after hauling it with both hands up to a sitting position.
“I dunno what happened,” the creature said. “I was lookin for the kitchen and I must have got lost cos then I was in this room with all these coats and then it was like somethin hit me . . .”
“You had an accident,” Bel told it, glaring icily in my direction.
“Well, all in the past now,” I said. “You could probably do with a drink, though. A cognac, maybe? Or actually, I was just going to make myself a gimlet, if I can tempt you . . .”
“A cup of tea’d be lovely,” the interloper said, dragging itself up off the parquet and, leaning on Bel’s shoulder, limping into the drawing room to sink down in my place on the chaise longue.
“Tea. Certainly,” I said graciously, as he picked up the remote control and Mary Astor’s smiling eyes were replaced by a straggly trail of dogs running about.
There was no response when I rang the service bell, and I was staring hopelessly at the range of kitchen cupboards when Bel came in. “Where does Mrs. P. keep the tea?” I said. She opened a door rather abruptly, nearly clipping my nose, to reveal a cabinet of glazed pots. “Do you think he wants Earl Grey? Is it a bit early?”
Bel sighed heavily, took a box of Band-Aids from a drawer, and left again.
Maybe he’d be better with Lapsang Souchong, I pondered, but then I decided I had been right the first time and carried in the tray with a plate of Mrs. P.’s amuse-bouches left over from the other night. Our guest was delighted with these and shoved them in fistfuls into his cavernous mouth. The tea, however, was less to his satisfaction. “Isn’t there any milk?” he asked.
I rolled my eyes at Bel, who flounced out of the room again with yet more sotto voce imprecations. Now the two of us were alone. I could feel him looking at me, and I knew the poker was within his reach. I kept my eyes fixed firmly on the television screen. The key was to show no fear. After a long, strained silence he addressed me. “Follow the football at all?” he said.
“No,” I said.
“Oh,” he said. He cleared his throat. “So . . . do youse live here all alone?” He had a thick Dublin brogue that made everything he said sound vaguely menacing.
“Hmm?” I said. Menace or not, I was becoming hypnotized by the dogs on TV. They were racing around their track at full pelt, despite appearing not to have been fed for several days; a small electric rabbit was leading them a merry dance. Frank repeated his question.
“Oh, yes, it’s just the two of us at the moment, and Mrs. P., of course. Father passed on a couple of years ago,” gesturing at the photograph on the wall, Father with that Westwood woman at a fashion thing in London, “and Moth...
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Book Description Random House, 2004. Hardcover. Condition: New. Seller Inventory # DADAX1400061164
Book Description Random House, 2004. Condition: New. book. Seller Inventory # M1400061164
Book Description Random House. Hardcover. Condition: New. 1400061164 New Condition. Seller Inventory # NEW7.0569732