This specific ISBN edition is currently not available.View all copies of this ISBN edition:
I killed a demon. I don't know if it was really, technically a demon, but I do know that he was some kind of monster, with fangs and claws and the whole bit, and he killed a lot of people. So I killed him. I think it was the right thing to do. At least the killing stopped. Well, it stopped for a while. In I Am Not a Serial Killer, John Wayne Cleaver saved his town from a murderer even more appalling than the serial killers he obsessively studies. But it turns out even demons have friends, and the disappearance of one has brought another to Clayton County. Soon there are new victims for John to work on at the mortuary and a new mystery to solve. But John has tasted death, and the dark nature he used as a weapon-the terrifying persona he calls "Mr. Monster"-might now be using him. No one in Clayton is safe unless John can vanquish two nightmarish adversaries: the unknown demon he must hunt and the inner demon he can never escape.
"synopsis" may belong to another edition of this title.
Dan Wells writes a little bit of everything, but he is best known for the Partials Sequence and the John Cleaver series, the first book of which is now a major motion picture. Dan is also a cohost of the Hugo Award-winning educational podcast Writing Excuses. He currently lives in Utah with his wife and six children.Excerpt. © Reprinted by permission. All rights reserved.:
Mr. Monster 1
It was one a.m., and I was staring at a cat.
It was probably a white cat, but here in the dark I couldn’t tell for sure; what little moonlight filtered through the broken windows turned the room into an older version of itself, a scene from a black and white movie. The cement block walls were gray, the dented barrels and stacks of wooden planks were gray, the piles of half-used paint cans were gray; and there in the center, refusing to move, was a gray cat.
I played with the plastic jug in my hands, turning it back and forth, listening to the gasoline as it sloshed around inside. I had a book of matches in my pocket and a pile of oily rags at my feet. There was enough old wood and chemicals in here to fuel a spectacular fire, and I desperately wanted to light it, but I didn’t want to hurt that cat. I didn’t even dare scare it away, for fear that I might lose control.
So I stared at it, waiting. As soon as it left, this place was gone.
It was late April, and spring was finally winning its battle to transform a dull, frozen Clayton County into a cheerful green one. A big part of this, of course, was the fact that the Clayton Killer had finally left us alone—his vicious killing spree had lasted almost five months, but he’d stopped very suddenly, and no one had heard from him since January. The town had huddled in fear for another two months, barring their doors and windows every night, and waking up each morning hardly daring to turn on the TV and see another shredded corpse on the morning news. But nothing had come, and slowly we’d started to believe that it was over for real this time, and there wouldn’t be any more bodies to clean up. The sun came up, the snow melted away, and people started smiling again. We’d weathered the storm. Clayton had been tentatively happy for almost a month now.
I was the one person, in fact, who hadn’t been worried at all. I’d known for certain that the Clayton Killer was gone for good, way back in January. After all, I’m the one who killed him.
The cat moved, turning its attention from me to drop its head and lick its paw. I held completely still, hoping it would ignore me or forget me and go outside to hunt or something. Cats were supposed to be nocturnal hunters, and this one had to eat sometime. I pulled my watch from my pocket—a cheap plastic wristwatch that I’d torn the straps off of—and checked the time again: 1:05. This was going nowhere.
The warehouse had been built as a supply dump for a construction company many, many years ago, back when the big wood mill in town was new and people still thought Clayton County might turn into something. It never did, and while the wood mill still struggled along, the construction company had cut its losses and gone home. In the years since, I wasn’t the only one who’d made use of this long-abandoned building—the walls were covered with grafitti, and the ground inside and out was littered with beer cans and empty wrappers. I’d even found a mattress behind some wooden pallets, presumably some vagrant’s temporary home. I wondered if the Clayton Killer had got him, too, before I stopped him; either way, the mattress was musty from disuse, and I figured nobody had been out here all winter. When I finally got a chance, that mattress was slated to be the core of my carefully crafted fire.
Tonight, though, there was nothing I could do. I followed rules, and those rules were very strict, and the very first one said “Do not hurt animals.” That made this the fourth time the cat had stopped me from burning down the warehouse. I suppose I should have been grateful, but . . . I really needed to burn something. One of these days I’d take that cat and—no. I wouldn’t hurt the cat. I’d never hurt anyone again.
I set down the gas jug; I didn’t have time to wait for the cat, but I could burn something smaller. I grabbed a wooden pallet and dragged it outside, then went back in for the gas. The cat was still there, now sitting in a ragged square of moonlight, watching me.
“One of these days,” I said, then turned and walked back out. I drizzled a little gas on the pallet, just enough to make it easy, then placed the jug by my bike, far away from where the fire would be. Safety first. The stars were out, and the trees in the forest loomed close, but the warehouse was in a clearing of gravel and dead grass. Somewhere through the trees the interstate rumbled by, filled with late-night semis and the occasional drowsy car.
I knelt down by the wooden pallet, smelling the tang of gas in the air, and pulled out my matches. I didn’t bother to break up the planks or build a proper fire, I just struck the match and dropped it on the gas, watching it flare up bright and yellow. The flames licked up the gas and then, slowly, started in on the wood itself. I watched it closely, hearing the little snaps and pops as the fire found pockets of sap. When it had a firm grip on the board, I grabbed the pallet by a safe corner and turned it on its end, letting the fire spread, and then flopped it down on the other side so the flames could reach up and spread to the rest of the boards. It moved like a living thing, probing the wood with a thin yellow finger, tasting it, then reaching out greedily and lapping it up.
The fire caught well, better than I expected. It seemed a shame to waste it on just one pallet.
I pulled another pallet from the warehouse and dropped it on top of the fire. The blaze was big enough now that it roared and crackled, jumping on to the new wood with obvious delight. I smiled at it, like the proud owner of a precocious dog. Fire was my pet, my companion, and the only release I had left; when Mr. Monster clamored for me to break my rules and hurt someone, I could always appease it with a good fire. I watched the blaze tear into the second pallet, hearing the dull roar as it sucked in oxygen, and smiled. It wanted more wood, so I went inside for another two pallets. Just a little more wouldn’t hurt.
“Please don’t hurt me.”
I loved it when she said that. Somehow, for some reason, I always expected her to say “Are you going to hurt me?” but she was too smart for that. She was tied to the wall in my basement, and I was holding a knife—of course I was going to hurt her. Brooke didn’t ask stupid questions, which is one of the reasons I liked her so much.
“Please, John, I’m begging you: please don’t hurt me.”
I could listen to that for hours. I liked it because it got right to the point: I had all the power in the situation, and she knew it. She knew that no matter what she wanted, I was the only one who could give it to her. Alone in this room, with this knife in my hand, I was her entire world—her hopes and her fears together, her everything at once.
I moved the knife almost imperceptibly, and felt a rush of adrenaline as her eyes twitched to follow it: first left, then right; now up, now down. It was an intimate dance, our minds and bodies in perfect sync.
I had felt this before, brandishing a knife to my mom in our kitchen, but even then I’d known that Brooke was the only one who really mattered. Brooke was the one I wanted to connect with.
I raised the knife and stepped forward. Like a partner in a dance, Brooke moved in unison, pressing back against the wall, eyes growing wider, breath growing quicker. A perfect connection.
Everything was perfect—exactly as I’d imagined it a thousand times. It was a fantasy become real, a scenario of such utter completeness that I felt it begin to gather me up and sweep me away. Her wide eyes focusing completely on me. Her pale skin trembling as I reached toward her. I felt emotions surging, roiling inside me, spilling out and blistering my skin.
This is wrong. This is exactly what I’ve always wanted, and exactly what I’ve always wanted to avoid. Right and wrong at the same time.
I can’t tell my dreams from my nightmares.
There was only one way it could end; only one way it ever ended. I shoved the knife into Brooke’s chest, she screamed, and I woke up.
“Wake up,” said Mom again, turning on my light. I rolled over and groaned. I hated waking up, but I hated sleeping even more—too much time alone with my subconscious. I grimaced and forced myself to sit up. I made it through another one. Only twenty hours before I have to do it again.
“Big day today,” said Mom, pulling open the blinds in my window. “After school you’ve got another appointment with Clark Forman. Come on, get up.”
I squinted at her, bleary-eyed. “Forman again?”
“I told you about this last week,” she said. “It’s probably another deposition.”
“Whatever.” I climbed out of bed and headed for the shower, but Mom blocked my path.
“Wait,” she said sternly. “What do we say?”
I sighed and repeated with her our ritual morning phrase: “Today I will think good thoughts and smile at everyone I see.” She smiled and patted me on the shoulder. Sometimes I wished I just had an alarm clock.
“Corn flakes or Cheerios this morning?”
“I can pour my own cereal,” I said, and pushed past her to the bathroom.
My mom and I lived above the mortuary in a quiet little neighborhood on the outskirts of Clayton. Technically we were across the municipal line, which put us in the county rather than the town, but the whole place was so small that nobody really noticed or cared where any of the lines were. We lived in Clayton, and thanks to the mortuary we were one of the only families that didn...
"About this title" may belong to another edition of this title.
Book Description Tantor Audio. MP3 CD. Condition: New. 1400168325 *BRAND NEW* Ships Same Day or Next!. Seller Inventory # SWATI210980810
Book Description Tantor Media, 2010. MP3 CD. Condition: Brand New. mp3 una edition. 7.48x5.35x0.55 inches. In Stock. Seller Inventory # zk1400168325