Doom Patrol, Book 2: The Painting That Ate Paris

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9781401203429: Doom Patrol, Book 2: The Painting That Ate Paris

The new incarnation of the Doom Patrol must battle the new version of the Brotherhood of Evil, who harness the untapped powers of ideas and symbols to transform reality itself.

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About the Author:

Grant Morrison has been working with DC Comics for more than twenty years, beginning with his legendary runs on the revolutionary titles ANIMAL MAN and DOOM PATROL. Since then he has written numerous bestsellers — including THE MULTIVERSITY, JLA, BATMAN and New X-Men — as well as the critically acclaimed creator-owned series THE INVISIBLES, SEAGUY, THE FILTH, WE3 and JOE THE BARBARIAN. Morrison has also expanded the borders of the DC Universe in the award-winning pages of SEVEN SOLDIERS, ALL-STAR SUPERMAN, FINAL CRISIS, BATMAN, INC. and ACTION COMICS.

In his secret identity, Morrison is a “counterculture” spokesperson, a musician, an award-winning playwright and a chaos magician. He is also the author of the New York Times bestseller Supergods, a groundbreaking psycho-historic mapping of the superhero as a cultural organism. He divides his time between his homes in Los Angeles and Scotland.

From Booklist:

Before writing such critically acclaimed cult comics as The Invisibles, Morrison made his name in 1988 by updating Animal Man, a third-rate 1960s costumed crimefighter. The next year he similarly resuscitated the Doom Patrol, a band of misfit superheroes whose strange powers made society fear and hate them (compare Marvel's X-Men, who debuted at the same time). Morrison's Animal Man drew praise for daring experimentation, but his "World's Strangest Superheroes" raised the stakes by replacing many original cast members with the likes of Crazy Jane, a schizophrenic whose multiple personalities each has its own superpower, and Dorothy Spinner, an ape-faced girl with the ability to distort reality. In this second collection of Morrison's Doom Patrol run, the archvillainous Brotherhood of Evil has been supplanted by the ludicrous but dangerous Brotherhood of Dada. Morrison's outrageously inventive takes on superheroes, which manage to be both smart and silly, may be off-putting to tradition-minded fans. The compensation is that his sensibility draws readers who usually prefer alternative comics. Gordon Flagg
Copyright © American Library Association. All rights reserved

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