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Gift edition. Children's novel but 533 gold-edged pages!
"synopsis" may belong to another edition of this title.
Orphan, clock keeper, and thief, Hugo lives in the walls of a busy Paris train station, where his survival depends on secrets and anonymity. But when his world suddenly interlocks with an eccentric, bookish girl and a bitter old man who runs a toy booth in the station, Hugo's undercover life, and his most precious secret, are put in jeopardy. A cryptic drawing, a treasured notebook, a stolen key, a mechanical man, and a hidden message from Hugo's dead father form the backbone of this intricate, tender, and spellbinding mystery.
A Letter from Brian Selznick
When I was a kid, two of my favorite books were by an amazing man named Remy Charlip. Fortunately and Thirteen fascinated me in part because, in both books, the very act of turning the pages plays a pivotal role in telling the story. Each turn reveals something new in a way that builds on the image on the previous page. Now that I’m an illustrator myself, I’ve often thought about this dramatic storytelling device and all of its creative possibilities.
My new book, The Invention of Hugo Cabret, is a 550 page novel in words and pictures. But unlike most novels, the images in my new book don't just illustrate the story; they help tell it. I've used the lessons I learned from Remy Charlip and other masters of the picture book to create something that is not a exactly a novel, not quite a picture book, not really a graphic novel, or a flip book or a movie, but a combination of all these things.
I began thinking about this book ten years ago after seeing some of the magical films of Georges Méliès, the father of science-fiction movies. But it wasn’t until I read a book called Edison's Eve: The Quest for Mechanical Life by Gaby Woods that my story began to come into focus. I discovered that Méliès had a collection of mechanical, wind-up figures (called automata) that were donated to a museum, but which were later destroyed and thrown away. Instantly, I imagined a boy discovering these broken, rusty machines in the garbage, stealing one and attempting to fix it. At that moment, Hugo Cabret was born.
A few years ago, I had the honor of meeting Remy Charlip, and I'm proud to say that we've become friends. Last December he was asking me what I was working on, and as I was describing this book to him, I realized that Remy looks exactly like Georges Méliès. I excitedly asked him to pose as the character in my book, and fortunately, he said yes. So every time you see Méliès in The Invention of Hugo Cabret, the person you are really looking at is my dear friend Remy Charlip, who continues to inspire everyone who has the great pleasure of knowing him or seeing his work.
Paris in the 1930's, a thief, a broken machine, a strange girl, a mean old man, and the secrets that tie them all together... Welcome to The Invention of Hugo Cabret.
Brian Selznick on a "Deleted Scene" from The Invention of Hugo Cabret
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The Boy of a Thousand Faces
Brian Selznick is the Caldecott Medal-winning creator of the New York Times bestsellers The Invention of Hugo Cabret, adapted into Martin Scorsese’s Oscar-winning Hugo, Todd Haynes's Wonderstruck, and The Marvels. Among the celebrated picture books Selznick has illustrated are the Caldecott Honor Book The Dinosaurs of Waterhouse Hawkins by Barbara Kerley, and the Sibert Honor Book When Marian Sang by Pam Muñoz Ryan. His books appear in over 35 languages. He has also worked as a bookseller, a puppeteer, and a screenwriter. He divides his time between Brooklyn, New York and San Diego, California.
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Book Description Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR002173937
Book Description Hardback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Seller Inventory # GOR001943594
Book Description Hardcover. Condition: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence!. Seller Inventory # 1629446
Book Description Hardcover. Condition: VERY GOOD. Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s). Seller Inventory # 3449465940
Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Gift Edition. 533pp. Includes CD interview of Brian Selznick. Black cover, text is gilt on three sides. Edge wear. J11. Seller Inventory # 013293
Book Description Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:9781407105048. Seller Inventory # 9030051
Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. UK Edition. flat-signed by the author on tipped in plate. comes with an unopened dvd. touched corners and edges and light reading wear, otherwise unmarked, solid, clean. dj covered with mylar. Signed by Author(s). Seller Inventory # 4415885
Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: As New. 1st Edition. Very slight shelf wear only; otherwise as new. With unopened CD. Seller Inventory # 5399
Book Description Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. 533pp., b/w. illus. (by the author). Gift edition with author's signature on special slip pasted to Dedication page, DVD with special interview with the author to front pocket, all edges gilt. Very good but not fine, tiny nick to top edge of front endpaper, lower corner of first pages very slightly creased, tiny tear to dustwrapper rear panel at top corner. Seller Inventory # 46467
Book Description Hardcover. Condition: Fine. First Edition. Hardback. Dust Jacket. 8vo. pp 533. Original publisher's black boards, lettered white at spine. Signed by the author on tipped-in publisher's page. True first, with '1' in number line. Copiously illustrated in black and white throughout. ISBN: 1407105043 Fine in fine dust wrapper. Signedes. Seller Inventory # C8802