Michael Harvey’s sizzling follow-up to The Chicago Way (“A wonderful first novel . . . Harvey has studied the masters and put his own unique touch on the crime novel . . . Heralds the arrival of a major new voice” —Michael Connelly) opens with a murder in contemporary Chicago and winds its way back to Mrs. O’Leary’s cow and the Great Chicago Fire of 1871.
Private investigator Michael Kelly, the Windy City’s answer to Philip Marlowe, is back in another page-turner that revives a tantalizing mystery buried in Chicago’s past. When Kelly is hired by an old girlfriend to tail her abusive husband, he expects trouble of a domestic rather than a historical nature. Life, however, is not so simple. The trail leads Kelly to an old house on Chicago’s North Side. Inside it, he finds a body, and perhaps the answer to one of Chicago’s most enduring mysteries: who started the Great Chicago Fire and why. The ensuing investigation takes Kelly to places he’d rather not go: specifically, City Hall’s fabled fifth floor, where the mayor is feeling the heat. Kelly becomes embroiled in a scam that stretches from current politics back to the night Chicago burned to the ground, and along the way, he finds himself framed for murder, before finally facing a killer bent on rewriting history.
The Fifth Floor is fast-stepping, intricately woven suspense, rich with the lore and atmosphere of a great city. A marvelous successor to Harvey’s critically acclaimed debut.
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Michael Harvey is the author of The Chicago Way, as well as a journalist and a documentary film producer. His work has won numerous national and international awards, including multiple Emmy Awards and an Academy Award nomination. Mr. Harvey earned a law degree from Duke University, a master’s degree in journalism from Northwestern University, and a bachelor’s degree in classical languages from Holy Cross College.Excerpt. © Reprinted by permission. All rights reserved.:
I pushed the slim volume of poetry across my desk and into her lap. The woman with auburn hair, perfect posture, and a broken life picked it up.
"I can't read this," she said, and lifted her head.
"That's because it's in Latin," I said. "Why don't you take off the sunglasses?"
"Why don't you translate for me?"
"Take off the glasses."
The woman slid the dark frames up and off her face. Her left eye was brown and watering. Her right was black and swollen shut. The cheekbone below it offered a study in shades of purple, blue, and yellow.
"You get the picture?" she said.
"The poem is by Catullus. First line reads Odi et amo. Translates as I hate and I love."
"And this is my life?"
"People say it's a love poem, but they're wrong. It's about abuse, about not being able to get out, even when the door is wide open and the whole world is yelling that very thing in your ear."
"I can't just leave. It's not that simple."
"It never is. Let me ask you something. How do you think this ends?"
The woman dropped her eyes back to her lap.
"You're a smart woman, Janet. You can figure it out. You wind up hurt real bad. Maybe dead. Or . . ."
She raised her head again. "Or what?"
"Or he winds up dead. Either way, it's not good."
She thinned her lips and set a hard edge at the corners of her mouth. There'd never been anything soft about Janet Woods' face. Beautiful, yes. Even through the bruises. But never soft.
"What do you want?" she said.
"Same thing I wanted three months ago. Get you out of there. Today. Taylor's in school, right?"
"Okay. We pick her up. I take you to a safe place. No one knows but me, you, and your little girl. Then I approach your husband. Explain the situation to him."
"Johnny will never go for it."
"He doesn't decide, Janet. He just listens."
She hesitated, then shook her head. "I can't. Not right now."
I leaned back in my chair and looked toward the front windows. The sun had cracked through my blinds, and dust floated in panels of afternoon light.
"Don't make this personal, Michael."
I swept my gaze back across the room. "Excuse me?"
Janet had brought a cup of Starbucks with her. She took a final sip and dropped the cup into a wastebasket near her feet. Then she crossed her legs and deflated a little with a sigh.
"I said, 'Don't make this personal.'"
"What does that mean?"
She shrugged and stared at the line of her calf, the angle of her shoe.
"I don't know. Just don't."
I breathed lightly through my nose and let the silence between us settle. Old friends make lousy clients. When that friend was once something more, things only get worse. I considered the tangle of history that bound us to each other, but got nowhere with it.
Then I sat forward, tented my fingers on the surface of my desk, and smiled. "How about some lunch?"
Janet closed the book I'd given her and dropped the glasses back over her face. "Sounds good."
"Let's go," I said. "There's a new place down the street."
She unfolded slowly from her chair, moving stiffly for a woman in her thirties. I figured Johnny Woods might be doing a little bodywork as well but didn't comment.
We made our way out of my office and down the corridor. I stopped about halfway down. My client stopped with me. She kept her eyes fastened on her feet as she spoke. "What?"
"Let me at least approach him. Just once. I can run into him by accident."
"What good will that do?"
"Maybe I can get to know him. Talk some sense into him."
Janet put a hand to her temple and rubbed. Her fingers were long and thin. Old, but not with age. Then she dropped her hand back to her side and gave a small shrug.
"He can't know I've hired a private investigator."
She nodded once and we started down the corridor again. It wasn't everything I wanted. In fact, it wasn't even close. But at least it was a start.
I double-parked on Michigan Avenue, popped my blinkers, and cruised the FM dial. I was tapping along to a-ha singing "Take on Me" and wondering whatever happened to my inner Led Zeppelin when Fred Jacobs walked out of the Tribune Building.
Fred was six feet two and weighed slightly less than your average house cat. He was chasing sixty, with an Adam's apple that earned every bit of its moniker and a head of black hair the color and consistency of shoe leather. He wore a brown Ban-Lon golf shirt over a pair of green-and-gold-checked polyester pants with inch-and-a-half cuffs. His socks were white and his loafers black. His skin was yellow when it wasn't just grim, and an unfiltered Camel hung from rubber lips. Fred was a lifelong bachelor. Suffice it to say, he didn't get a lot of chicks. What Fred did get was information. The man shambling along Michigan Avenue had won two Pulitzers and represented probably the best investigative reporter this side of Bob Woodward. I pulled the car up but Fred just kept walking. I'd seen this before and rolled down the window.
"You getting in, Fred?"
He squinted through a layer of cigarette smoke, motioned with one hand, and talked out of the side of his mouth.
"Keep moving. I'll meet you around the corner."
When it came to paranoia, the NSA had nothing on Fred Jacobs. I pulled around the block and waited. It took a minute or two, but he finally slipped alongside my car and got in.
"Just drive straight."
"It's a one-way street, Fred."
"Even better. Get going, for chrissakes."
I popped the car into drive and found my way around the block.
"A lot of people watching you these days, Fred?"
"Fuck off, Kelly. First of all, you're never anything but trouble. Second, you don't work my beat. You don't do what I do. So you don't know anything about what people see and don't see."
Like I said, great reporter. A little touched in the head, but what the hell.
"Where are we going to eat?" he said.
I'd told Fred I'd buy him lunch. He knew that meant I needed information. Of course, Fred expected something in return. Like a story. Maybe another Pulitzer. Probably not. But for someone who weighed no more than the typical calico, Fred Jacobs also liked to eat. Big time.
"I thought we'd go over to Mitchell's," I said.
"We're going to the Goat. Take a left here."
I swung a left off Michigan Avenue and then another at State Street. Jacobs sucked up the last quarter of his cigarette and pushed the butt out an open window. Smoke curled softly from each nostril as the reporter rolled up the window and chuckled to himself.
"Got to hand it to you, Kelly."
"You stuck it to that TV bitch but good."
He was talking about Diane Lindsay, former Chicago news anchor, convicted killer, and someone I used to sleep with.
"You think so, Fred?"
"Fuck, yes. Talking heads think they invented the news. No respect for journalism. No respect for the process."
"And putting Diane Lindsay in the slam made that right?"
"Didn't make it right. But damn, it was fun to watch. Pull over here."
I dropped into an empty spot on Hubbard Street and the two of us got out. The Billy Goat Tavern is located on the lower level of Michigan Avenue. Most people walk down a set of stairs in front of the Wrigley Building on upper Michigan. Apparently that was a little too public for Jacobs, so we came in from Hubbard.
"The Billy Goat isn't exactly low profile, Fred."
"Not a problem. I eat here eight days a week. Someone like you sits down at my table, what am I supposed to do? So I let you buy me a burger and listen to your bullshit."
"That's the story?"
"That's the story. Come on."
Jacobs opened the heavy metal door, painted red with a black-and-white goat. We walked down a greasy set of steps and into a Chicago legend.
The Billy Goat was more cave than tavern and was everything Royko and Belushi ever made it out to be. Four sets of Greek eyes watched as we walked through the door. Spatulas in hand, they started jabbering about cheeseburgers and chips even before we stepped up to the counter. The menu board was a mildewed version of yellow with black plastic letters, unevenly spaced and mostly misspelled. A cheeseburger cost three bucks. Everyone ordered a double, of course--mostly because it was only a buck extra. Also because that's what the guy behind the counter was making no matter what you ordered. Throw some onions and pickles on your double, then go sit at the elbow of the bar with the white linoleum top. Also known as the Wise Guys' Corner. Watch the regulars drink beer, talk about the mayor, the Bears, the Sox, Chicago. Then, now, forever. Leave the Billy Goat, walk the world for a year or two, and return. They'd still be there. Same guys, or ones just like them. Drinking a Billy Goat draft, light or dark. Rolling out the history of their city. Pushing at the past, pulling it into the present. Arguing and exaggerating. Preserving what's been and making it come to life again. All for the price of a drink and available seven days a week, in the home of the Goat.
"Double cheeseburger, Mr. Jacobs?"
The counterman knew my reporter friend, which wasn't a surprise. Jacobs ordered two double cheeseburgers, which wasn'...
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Book Description Thorndike Press. Hardcover. Book Condition: GOOD. Good clean copy with no missing pages might be an ex library copy; Possibly may have minor marginal notes and or highlighting. Bookseller Inventory # 2575426797
Book Description Thorndike Press. Hardcover. Book Condition: Fair. Bookseller Inventory # G1410410765I5N00
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