When a Trinity College history professor is found murdered with a torn page of a seventeenth-century diary in his hand, fellow Claire Donovan and historian Andrew Kent believe his death may be linked to a series of unsolved killings in 1670s London.
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Christi Phillips is the author of The Rossetti Letter, which has been translated into six foreign languages. Her research combines a few of her favorite things: old books, libraries, and travel. When she’s not rummaging around in an archive or exploring the historic heart of a European city, she lives with her husband in the San Francisco Bay Area, where she is at work on her next novel, set in France. Visit www.christi-phillips.com.
Starred Review. Fans of historical romance and traditional whodunits alike will welcome Phillips's second novel, which like her debut, The Rossetti Letter (2007), alternates between past and present. In the present, historian Clare Donovan, who delved into 17th-century Venetian intrigue with handsome Cambridge fellow Andrew Kent in The Rossetti Letter, is now a temporary lecturer at Cambridge's Trinity College, packed with scheming academics roiling in a hotbed of nearly every human frailty imaginable. When dashing and venal Professor Derek Goodman is found slain clutching a page of a coded diary by 17th-century physician Hannah Devlin, Clare and Andrew get on the trails of vicious killers from different centuries. The mysterious death of Charles II's sister, Princess Henriette-Anne, wife of Louis XIV's dissolute brother, propels the main historical narrative. Phillips's command of period detail and her sure touch with emotional relationships help make this a stand-out. (May)
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A follow-up to the well-received The Rossetti Letter (2007), Phillips once again simultaneously follows seventeenth-century and twenty-first-century mysteries. A serial killer is loose in seventeenth-century England. Are his gruesome crimes random, or are they part of a royal conspiracy? Hannah Devlin, a rare female physician, becomes convinced of the latter. Meanwhile, in twenty-first-century Cambridge, England, Clare Donovan finds Hannah’s diary. Shortly thereafter, an academic rival is murdered. Are the crimes connected? Both women work to solve their mysteries, while also becoming embroiled in parallel romances. Although the twenty-first-century plotline and ending are the weaker, both sets of mysteries and romances are engaging. An excellent afterword answers questions about historical accuracy and literary license. A novel sure to appeal to readers of Philippa Gregory. --Marta Segal Block
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