Review:
When Martin Sloane, Toronto poet and playwright Michael Redhill's first novel, appeared in Canada, it made headlines for its decade-long gestation through 12 complete drafts. In an age when many blockbuster novels read as though they never saw an editor's pencil, Redhill's stamina and ruthless self-appraisal were enough to make him newsworthy. But all that attention to its composition raises a basic question about the book itself: was Martin Sloane worth all the effort? As it turns out, Redhill's debut is an intense, poetic evocation of the experience of time and place and the personality of a fictional Irish-Canadian collage artist, Martin Sloane, whose work, if not his life, resembles the nostalgic boxes built by the real-life artist Joseph Cornell. Told in the voice of his abandoned lover Jolene Iolas, the story explores the connection between Sloane's life and his art. Iolas, who had a relationship with the older Sloane in her youth, ends up following the cold trail of his life back to Dublin, where he lived as a boy before he was exiled by illness and first began to pack up his life in little boxes. Redhill has created a powerful meditation on life and memory, his work as a poet standing him in good stead. Even if some of the characters are not quite fully realised and the narrative transitions are at times a little rough, Martin Sloane proves that hard work pays off. Long live revision.--Robyn Gillam
Review:
'A first novel with a rich centre... not a word to spare or an image too many. -- Montreal Gazette
'Remarkably assured... powerful... ferociously intelligent.' -- Maclean's
'... accomplished, considered, polished, it is a novel of depths and many aspects... ' -- National Post
‘A deeply moving first novel... profound and full of affection. It is a book of constant surprises.’ -- Michael Ondaatje
‘Mild and beautiful on the surface, Martin Sloane has explosives buried quietly in its emotional landscape...’ -- Globe and Mail
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