When Tai Shan and his father, Baba, fly kites from their roof and look down at the crowded city streets below, they feel free, like the kites. Baba loves telling Tai Shan stories while the kites--one red, and one blue--rise, dip, and soar together. Then, a bad time comes. People wearing red armbands shut down the schools, smash store signs, and search houses. Baba is sent away, and Tai Shan goes to live with Granny Wang. Though father and son are far apart, they have a secret way of staying close. Every day they greet each other by flying their kites—one red, and one blue—until Baba can be free again, like the kites.
Inspired by the dark time of the Cultural Revolution in China, this is a soaring tale of hope that will resonate with anyone who has ever had to love from a distance.
"synopsis" may belong to another edition of this title.
Ji-li Jiang (www.jilijiang.com) was born in Shanghai , China. For over twenty years she nursed her childhood memories of surviving the Cultural Revolution in China, and she finally brought them to life in her first book, Red Scarf Girl, which has sold more than 300,000 copies since it was published in 1997 and has become required reading in many schools. Following the success of Red Scarf Girl, she published her adaptation of Chinese classic folklore, Magical Monkey King: Mischief in Heaven. When she isn't writing or speaking, Ji-li devotes time to various cultural exchange programs, including leading group trips to China. She believes that a better understanding among people around the world is the only route to global peace.
The author of the acclaimed memoir Red Scarf Girl (1997), based on her childhood survival of China’s Cultural Revolution, tells a moving picture-book story of a child in those same harsh times. Tai Shan loves flying kites with his widower father, and the spacious double-page spreads, with dark lines and warm shades of brown and red, show the bond between father and son. Then bad times come, and Baba is sent to a labor camp, while Tai Shan lives with Granny Wang in a nearby village. As secret signals to each other, the boy and his father fly their kites high in the sky. At first, they can meet on weekends, but then Baba is sent far away. True to the small boy’s viewpoint, the spare, poetic words capture the action as the kites “rise and dive, soaring and hanging together”; the emptiness of being apart; and the final, joyful reunion. Even young readers will see the kite flying as a metaphor for freedom. A great choice for classroom sharing and discussion. Grades 1-3. --Hazel Rochman
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