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Cristin Terrill has a bachelor of arts degree in drama from Vassar College and a master of arts degree in Shakespeare Studies from the Shakespeare Institute in Stratford-upon-Avon, UK. She currently lives outside Washington, D.C.., and teaches creative writing to children and teens. You can find her at cristinterrill.com or @cristinterrill.
Gr 7–10—Time-travel paradigms and a dual narrative combine in this fast-paced temporal tale. The two voices are that of the same character: Marina, in the present, and Em, in the future. Future Em and present Marina run parallel courses as Em tries desperately to change present circumstances enough to alter future horror. Marina's longtime crush James, a teen genius who discovers how to manipulate time travel, intends to use that discovery to save his assassinated congressman brother. Em and Finn (her future romantic interest and James's good friend) travel back to the present to change their own and the world's fate, but their multiple efforts result in imprisonment and torture by the mad scientist James becomes. Em/Marina's parallel stories converge in a violent confrontation where characters from the present meet their future selves. Time-travel tropes may not hold up under close scrutiny, but the limited number of major players and the carefully focused plot keeps the action moving. Characterization is fairly stock: James is a brilliant monster, and Finn is consistently levelheaded and appealing. The future Em is much more developed than the present Marina, which makes the inevitable loss of one and the saving of the other disconcertingly unsatisfying. The built-in tension provided by knowledge of the world that will result if they fail makes Finn and Em's efforts compelling, however, and the escalating pace and intertwined narratives keep the pages turning. The philosophical question is intriguing: What price is too high to change fate?—Janice M. Del Negro, GSLIS Dominican University, River Forest, IL
It’s an age-old philosophical exercise: If you could go back and kill someone before he or she grew up to do terrible things, would you? What if that person was someone you cared for? It’s a dilemma Em is used to. She and her companion Finn have escaped from their prison cell 14 times in order to go back in time four years to prevent their best friend James, a 17-year-old genius, from creating a time machine that leads to a world at the edge of ruin. Now they’re out of options: this time James must die. Terrill’s smart, fast-paced debut intercuts Em and Finn’s pursuit with that of, well, the four-years-younger Em and Finn it pursued—a literary situation ripe for confusion. But Terrill avoids unnecessary brain melt by keeping things remarkably clear and never at the expense of character or emotion. It is, in fact, rather heartbreaking to watch characters come to terms with their past—or worse, their future selves and the evils they have created. A savvy blend of sf, action, and even politics. Grades 8-11. --Daniel Kraus
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