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The Supersensible in Kant’s «Critique of Judgment» (American University Studies) - Hardcover

 
9781433131912: The Supersensible in Kant’s «Critique of Judgment» (American University Studies)
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In this close analysis of Immanuel Kant's aesthetics in his Critique of Judgment, Dr. Julie N. Books explains why Kant fails to provide a convincing basis for his desired necessity and universality of our aesthetic judgments about beauty. Drawing upon her extensive background in the visual arts, art history, and philosophy, Dr. Books provides a unique discussion of Kant's supersensible, illuminating how it cannot justify his a priori nature of our aesthetic judgments about beauty. She uses examples from the history of art, including paintings by Michelangelo, Caravaggio, Rubens, and Constable, to support her views. This book will make a significant addition to courses on the philosophy of Kant, aesthetics, philosophy of art, metaphysics, the history of Western philosophy, ethics, psychology, and art history.

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About the Author:
Dr. Julie N. Books, Esq., received her A.B. with honors from Princeton University, her J.D. from The College of William and Mary's Marshall-Wythe School of Law, her M.A. in philosophy from New York University, and her PhD in philosophy from The University of Massachusetts, Amherst. She is the author of What is Film? (2016).

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Book Description Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In this close analysis of Immanuel Kant's aesthetics in his Critique of Judgment, Dr. Julie N. Books, explains why Kant fails to provide a convincing basis for his desired necessity and universality of our aesthetic judgments about beauty. Drawing upon her extensive background in the visual arts, art history, and philosophy, Dr. Books provides a unique discussion of Kant's supersensible, illuminating how it cannot justify his a priori nature of our aesthetic judgments about beauty. She uses examples from the history of art, including paintings by Michelangelo, Caravaggio, Rubens, and Constable, to support her views. This book will make a significant addition to courses on the philosophy of Kant, aesthetics, philosophy of art, metaphysics, the history of Western philosophy, ethics, psychology, and art history. 112 pp. Englisch. Seller Inventory # 9781433131912

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Book Description Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - In this close analysis of Immanuel Kant's aesthetics in his Critique of Judgment, Dr. Julie N. Books, explains why Kant fails to provide a convincing basis for his desired necessity and universality of our aesthetic judgments about beauty. Drawing upon her extensive background in the visual arts, art history, and philosophy, Dr. Books provides a unique discussion of Kant's supersensible, illuminating how it cannot justify his a priori nature of our aesthetic judgments about beauty. She uses examples from the history of art, including paintings by Michelangelo, Caravaggio, Rubens, and Constable, to support her views. This book will make a significant addition to courses on the philosophy of Kant, aesthetics, philosophy of art, metaphysics, the history of Western philosophy, ethics, psychology, and art history. Seller Inventory # 9781433131912

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