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Tim Stout writes, in Horror: 100 Best Books, "As the plot takes hold one has the fancy that [Ayesha] had always existed, in some dark dimension of the imagination, and that [H. Rider] Haggard was the fortunate author to whom she chose to reveal herself." Haggard did, in fact, write this book in a six-week burst of feverish inspiration: "It came faster than my poor aching hand could set it down," he later said.
This edition of the 1887 classic features an introductory essay by literary critic Regina Barreca, who likens Ayesha to Flaubert's Madame Bovary or Tolstoy's Anna Karenina--"literally fantastic female figures who must be stopped before they love again."
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