The Spike Lee Brand: A Study of Documentary Filmmaking (SUNY Series in African American Studies)

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9781438457635: The Spike Lee Brand: A Study of Documentary Filmmaking (SUNY Series in African American Studies)

A rare look at Spike Lee’s creative appropriation of the documentary film genre.

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About the Author:

Delphine Letort is Assistant Professor of English at the Université du Maine in Le Mans, France.

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"The Spike Lee Brand" makes a very important contribution to scholarly studies on the film-work of Spike Lee [and] places Lee in the pantheon of important social political documentarians such as Claude Lanzmann and Emile de Antonio. from the Foreword by Mark A. Reid"

The Spike Lee Brand makes a very important contribution to scholarly studies on the film-work of Spike Lee [and] places Lee in the pantheon of important social political documentarians such as Claude Lanzmann and Emile de Antonio. from the Foreword by Mark A. Reid"

"The Spike Lee Brand makes a very important contribution to scholarly studies on the film-work of Spike Lee ... [and] places Lee in the pantheon of important social political documentarians such as Claude Lanzmann and Emile de Antonio." -- from the Foreword by Mark A. Reid

..".an important entry within the fields of film studies and African-American cultural studies." -- Cercles

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Book Description State University of New York Press, United States, 2015. Hardback. Book Condition: New. Language: English . Brand New Book. In this groundbreaking book, Delphine Letort sheds light on a neglected part of Spike Lee s filmmaking by offering a rare look at his creative engagement with the genre of documentary filmmaking. Ranging from history to sports and music, Lee has tackled a diversity of topics in such nonfiction films as 4 Little Girls, A Huey P. Newton Story, Jim Brown: All-American, and When the Levees Broke: A Requiem in Four Acts. Letort analyzes the narrative and aesthetic discourses that structure these films and calls attention to Lee s technical skills and narrative-framing devices. Drawing on film and media studies, African American studies, and cultural theories, she examines the sociological value of Lee s investigations into contemporary culture and also explores the ethics of his commitment to a genre characterized by its claim to truth. Bookseller Inventory # AAS9781438457635

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Book Description State University of New York Press, United States, 2015. Hardback. Book Condition: New. Language: English . Brand New Book. In this groundbreaking book, Delphine Letort sheds light on a neglected part of Spike Lee s filmmaking by offering a rare look at his creative engagement with the genre of documentary filmmaking. Ranging from history to sports and music, Lee has tackled a diversity of topics in such nonfiction films as 4 Little Girls, A Huey P. Newton Story, Jim Brown: All-American, and When the Levees Broke: A Requiem in Four Acts. Letort analyzes the narrative and aesthetic discourses that structure these films and calls attention to Lee s technical skills and narrative-framing devices. Drawing on film and media studies, African American studies, and cultural theories, she examines the sociological value of Lee s investigations into contemporary culture and also explores the ethics of his commitment to a genre characterized by its claim to truth. Bookseller Inventory # AAS9781438457635

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