In a searingly candid memoir which he authored himself, Grammy Award-winning pop icon Rick Springfield pulls back the curtain on his image as a bright, shiny, happy performer to share the startling story of his rise and fall and rise in music, film, and television and his lifelong battle with depression.
In the 1980s, singer-songwriter and actor Rick Springfield seemed to have it all: a megahit single in “Jessie’s Girl,” sold-out concert tours, follow-up hits that sold more than 17 million albums and became the pop soundtrack for an entire generation, and 12 million daily viewers who avidly tuned in to General Hospital to swoon over his portrayal of the handsome Dr. Noah Drake. Yet lurking behind his success as a pop star and soap opera heartthrob and his unstoppable drive was a moody, somber, and dark soul, one filled with depression and insecurity.
In Late, Late at Night, the memoir his millions of fans have been waiting for, Rick takes readers inside the highs and lows of his extraordinary life. By turns winningly funny and heartbreakingly sad, every page resonates with Rick’s witty, wry, self-deprecating, brutally honest voice. On one level, he reveals the inside story of his ride to the top of the entertainment world. On a second, deeper level, he recounts with unsparing candor the forces that have driven his life, including his longtime battle with depression and thoughts of suicide, the shattering death of his father, and his decision to drop out at the absolute peak of fame. Having finally found a more stable equilibrium, Rick’s story is ultimately a positive one, deeply informed by his passion for creative expression through his music, a deep love of his wife of twenty-six years and their two sons, and his life-long quest for spiritual peace.
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Rick Springfield is a Grammy Award–winning musician and actor, and the author of the New York Times bestselling memoir Late, Late Night, which Rolling Stone named one of the twenty-five greatest rock memoirs off all time. He lives in Malibu with his wife, Barbara. Visit him online at RickSpringfield.com or MagnificentVibration.com.Excerpt. © Reprinted by permission. All rights reserved.:
A Note From the Author
When I turned fifty, I wrote a song about my life so far, to see if I could
fit it into a three-minute pop tune.
Born in the Southern Land where a man is a man
Don’t remember too much, warm mama, cold touch
Postwar baby boom, fifty kids in one room
All white future bright but living in a womb
Got a TV receiver Jerry Mathers as the Beaver
No blacks, no queers, no sex. Mouseketeers
Daddy kept moving round, I can’t settle down
Always the lost new kid in town
Mannlicher lock and loaded, JFK’s head exploded
Dark figure at the fence, end of my innocence
Hormones hit me, chew up, spit me
Get stoned, get plastered, always was a moody bastard
Guitar fool, kicked out of high school
Joined a band, Vietnam, Mama-san, killed a man
Daddy gets real sick it’s too intense I can’t stick it
Buy myself a ticket to the U.S.A.
Oh my God, it’s my life. What am I doing kicking at the foundation?
That’s right, my life. Better start thinking ’bout my destination
Hollywood sex-rat, been there, done that
Jaded afraid I’d never get a turn at bat
Last in a long line, finally hit the big time
Gold mine, feeding time, money/fame, I get mine
Use it, abuse it, Daddy dies, I lose it
Get a wife get a son, beget another one.
Head said “God’s dead,” motorcycle body shred
Midlife crisis rears its ugly head
Prozac, lithium, could never get enough of ’em
Last wills, shrink’s bills, sleeping pills, sex kills
Edge of sanity, my infidelity
Looking in the mirror and thinking how it used to be
Don’t like the skin I’m in, caught in a tailspin
Honest-to-God vision, spiritual transmission
Climb aboard the life raft, looking back I have to laugh
Take a breath, don’t know if I’m ready for the second half
Oh my God, it’s my life. What am I doing kicking at the
That’s right, my life. Better start looking at my destination
My life, my depression, my sin, my confession,
my curse, my obsession, my school, my lesson.
For anyone with a short attention span, that should cover the major
details of my life, so you can put this book back on the bookstore shelf.
For those of you who want to hear the deeper cut, many thanks and
read on . . .
A Swingin' Teenager
So here I am, seventeen years of age, feeling as ugly as the ass end of
a female baboon at mating season, unloved, very much in need of a
good caressing by some attentive young woman and, right now, swinging
by my neck at the end of a very thick twine rope like some pathetic
B-Western movie bad guy. I’m thinking to myself as I lose consciousness,
“Wow, somehow I thought it would all end so differently.”
Thank God I haven’t succeeded at a lot of the things I’ve tried, like
this suicide attempt for instance. But thank God I have succeeded occasionally.
Because in a furious flash-forward, of the type that can only
happen in the movies or in this book, I am thirty-one years old and
standing onstage with a very expensive guitar strapped around my very
expensive suit, playing a rock-and-roll song that I wrote. The audience
of this sold-out show is clamoring for more. A bevy of young girls is
waiting backstage for me, and there’s a middle-aged bald guy standing
on the side of the stage, smiling at his healthy profit, ready to hand me a
big, fat check when I’m done.
Wait . . . Wait, wait, wait, wait! Just a second here . . . So if I’d succeeded
in offing myself back in my teenage years of staggering angst, I
would have missed all this? Evidence, I think, that when we are at our
lowest and ready to give in and go belly-up forever and for always, we
should take a step back and say, “Is this the absolute best move I can
make right now?” And then give ourselves an extra year or two or three.
I am walking, breathing, living proof that, considering how depressed
and full of self-loathing and self-pity I am right now, swinging
by my skinny, teenage neck three feet off the ground, thinking that I am
worthy of not much more than the gig of pre-chewing hay for a horse
with bad teeth, good things can still happen. It’s just the law of averages,
and the law is on our side, losers. Yay us! So to those who are at
the bottom of the emotional heap—and it’s crowded down here—there
is still reason for hope! Not that the teenage idiot I was (who is, by the
way, still swinging freely from a crossbeam and turning a lovely shade of
blue) would have believed that dopey, feel-good phrase anyway.
Although by nature I tend to gravitate toward the bleaker side of
things, I have been open to and have received signs throughout my life
that have given me hope when I’d thought there was none. A part of me
believes that these signs are directives from the gods. I’ve stayed surprisingly
receptive to them, even though part of me thinks I’m full of shit to
take them as any kind of actual, meaningful omens.
Another furious flash-forward—damn it, I wish there were cool
sound effects in this book . . . whooooosh!—it’s 1979. I’m living in
Glendale, California, with a girl named Diana. Playing guitar in a house
band at a local restaurant bar. This is not where I’d hoped to be in my
music career by the age of twenty-nine, but then again I also thought I’d
be dead by now, “strung up,” as it were, by the neck, so it’s just as well
that not all my expectations are met. One night there’s a party at someone’s
house in Glendale after my bar gig, and I go there by myself while
my girlfriend waits at home.
A tarot card reader is in attendance. I love these people. They let us
pretend to possible bright futures, even when we have none, and right
now, I have none. At least not any future I’d want to celebrate. So I pull
up a chair and shuffle her cards. Bad disco music is playing in the background
and I think to myself, “Is there good disco music?” She deals my
hand. The Emperor. The Two of Swords. The Hanged Man. The Star.
She looks up from the array of archaic cards and locks eyes with me
from across the table. She wants me. Wait . . . no, that’s not it.
“That’s the most incredible card spread I’ve ever seen,” she whispers
“Yeah?” That’s pretty much it from me.
“Something big is going to happen in your life . . . and soon,” she
answers as if definitively.
“Could you be more specific?” I ask. I want dates. Names. Exact
amounts of cash. Truly, you can never nail these people down.
“Something . . . really . . . amazing,” she replies.
It will have to do. And it does.
As a seeker of encouragement and affirmation all my young life, I’ve
become accustomed to positive if self-servingly vague prophesies from a
range of “experts”: numerologists, astrologers, phrenologists (I do have
a shitload of bumps on my head, so phrenologists have a party when I
show up for a reading), tasseographists (look it up), and just plain seers.
A year before the encounter with my disco tarot card reader, I’d gone to
see a young Romanian with a brain tumor. It was widely believed that
the unwelcome “visitor” in this man’s head had given him a special view
of the future. Everyone in my acting class had consulted this guy, desperate
to hear him say, “Yes, I see you in major motion pictures. You are
successful . . . wealthy . . . deeply, deeply loved . . . and your likeness is
being carved into Mount Rushmore along with those four old dead guys
because you are just so fucking special.”
Honestly, I think that we’re all—every one of us—constantly and
hungrily searching for signs that we are singular, unique, chosen. And
that an equally singular, unique, choice future awaits us. Actors are
the neediest bastards in this way; don’t ever let us pretend otherwise.
Maybe we artist-performers need this kind of affirmation more than
most, hence our career choice. I know that a strong, defining element
of my character is the five-year-old inside me jumping up and down,
demanding, “Hey, Poopypants, look at ME!!!” This need to be noticed
and thought of as “special” has, to a large degree, charted my unholy
course through adulthood. Dammit.
So when it’s finally my turn to see the brain tumor guy, this futureseeing
Romanian looks at me and says, “I see gold around you—here.”
He motions to my throat. I think, “Does he see bling? Am I going to be
a pimp?” But he continues, “It’s glowing, your voice. Are you a singer?”
“My mum thinks so,” I answer. But I am actually heartened by what
he apparently sees. Again, I put this “sign” in my back pocket against
the times when someone will look at me and say, “You? I don’t think
What is that sound? Whhhhooooossshh!!! Yes, if this were a movie
there would be amazing visual shit and music and sound effects and all.
Use your imagination . . . we are now going back in time. Don’t sue me
for your whiplash; I’m trying to keep this thing interesting.
Okay, I’m going to drop a name, watch your feet. There will be several
warnings throughout this book so you can protect your toes. Here’s
the first one: Elvis. But this is not the truly significant Elvis of my story.
The most important Elvis in my life has four legs and black-and-white
fur, barks, and is at the center of my heartache. No, this Elvis is the one
you guys all know. I’m on a plane from Los Angeles to Australia via
Hawaii in 1972, and Elvis (the two-legged, non-furry, singer version) is
onboard too. My manager at the time is Steve Binder. Steve directed the
Elvis comeback TV special in 1968, so I talk with him for a while about
our common link. He’s a sweet guy and signs an autograph for my thengirlfriend
in Australia, who’s a fan.
I get off the plane in Honolulu feeling oddly anointed by this small
audience with the King. And as I’m walking down a side street, taking in
the island’s frangipani-scented sights with Kohilo blowing gently across
my face, I walk by a young lady standing in a doorway who’s wearing
almost nothing and offers to tell my fortune. I say to her that I think
my fortune is to get laid for a nominal fee, but she assures me she is an
authentic seer and only wants to serve the Great Spirit she channels. She
takes my hand gently and assures me I will be “successful in my chosen
field.” Hahahahahaha. She adds that my “successful” future also includes
a “very successful happy ending” in the back room for an extra
$150. See, I was right! Honey, I’m twenty-two years old. Call me when
I’m seventy. I pass. But just like my chance meeting with Elvis, I take this
encounter as a sign that big things are afoot for me, career-wise. Always
such a positive boy. Except when famous rock-and-roll icons and skimpily
dressed fortune-tellers aren’t there to make me feel good.
Okay, another “Whhhhooooossshh.” It’s 1979 and we’re back in
Glendale, California, again. Just minutes before I’m to head to the party
and the tarot card mystic whose reading will presage a change in my life
and my world.
“Aren’t you Rick Springfield?” the pretty young girl holding a Long
Island iced tea is asking me at the bar. I smile a shit-eating grin. “I loved
‘Speak to the Sky,’” she continues, alluding to the hit song I’d had in 1972.
“What a trip you’re playing in a restaurant now,” she adds with a
smirk, and I take that one in the gut. Do I really need her to point out to
me that bugger-all has happened since then, it being 1979 now? I wonder
if, despite my loser status in her eyes, she’s up for a fucking, but she
disappears soon after and I am left to my dark feelings. Yes, I am a loser.
Yes, I had a shot in 1972. Yes, I blew it. Yes, I am playing cover songs
in a bar in Glendale. Yes, my life is about to change. Yes, I’m . . . wait.
What was that last thing? Amongst the litany of shit? Was there some
positive word? Hey, maybe all those oracles I’ve visited over the years,
seers whose “visions” gave me hope, were worth the price of admission
after all! Maybe thanks to them (as well as a serendipitous meeting with
an insurance guy—more on that later) I harbor some faith in myself yet.
Disco sucks ass! Other than the Bee Gees, disco is a wasteland and
in 1979 it is at its worst. Radio is ready for a change. The great and
almighty electric guitar is about to make a comeback, thank Christ.
AC/DC’s “Highway to Hell” is getting heavy radio play. Pat Benatar’s
“Heartbreaker” looks as though it could actually be a radio hit, and Elvis
Costello has just brought some serious, much-needed songwriting and
playing credibility to punk with his inaugural album, My Aim Is True.
I, on the other hand, am playing Top 40, instead of my own music,
in a bar and am making stained glass in my garage. But I am listening
to all this new music on my radio, and I have actually started writing
some solid songs again after a hiatus of almost two years. I’m excited
by the new movement in music and am getting the itch to take a chance
and start playing original songs again. I’ve spent the last seven years
drifting in and out of near-poverty and missed every time I’ve made a
grab for the brass ring. Mainly out of absolute boredom I’ve signed up
for this stained-glass class with the desperate and rather bizarre fanta...
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