A New History of Documentary Film, Second Edition offers a much-needed resource, considering the very rapid changes taking place within documentary media. Building upon the best-selling 2005 edition, Betsy McLane keeps the same chronological examination, factual reliability, ease of use and accessible prose style as before, while also weaving three new threads - Experimental Documentary, Visual Anthropology and Environmental/Nature Films - into the discussion. She provides emphasis on archival and preservation history, present practices, and future needs for documentaries. Along with preservation information, specific problems of copyright and fair use, as they relate to documentary, are considered.
Finally, A History of Documentary Film retains and updates the recommended readings and important films and the end of each chapter from the first edition, including the bibliography and appendices. Impossible to talk learnedly about documentary film without an audio-visual component, a companion website will increase its depth of information and overall usefulness to students, teachers and film enthusiasts.
"synopsis" may belong to another edition of this title.
This book expands Ellis's The Documentary Idea (1989), a classic history of English-language social documentary film and video. Here Ellis (Northwestern Univ.) partners with Betsy McLane (past president, University Film and Video Association) to bring the subject of documentary film forward into the global sphere of digital image-capture technologies, satellite and Internet distribution and exhibition, and the "frenzy of TV reality shows." Like the earlier edition, the book is homage to documentary pioneer John Grierson, who coined the term "documentary" in 1926, and largely limits itself to the English-language "social documentary," i.e., "the mainline of the documentary tradition Grierson set in motion." Within those parameters, each of the 18 chapters offers a concise and useful historical overview of a particular time period, topic, or filmmaker and adds a list of relevant film titles and publications. Soviet propaganda and European avant-garde experimentation are discussed, though less comprehensively. As a carefully considered and reader-friendly volume, this book takes its place alongside Erik Barnouw's classic Documentary (1974). Specialists and advanced scholars may prefer Michael Renov's The Subject of Documentary (CH, Feb'05, 42-3312), which reconsiders the Griersonian "objective" ideal in the light of the subjective practices of the autobiographical vernacular." Summing Up: Recommended. Lower-/upper-division undergraduates, graduate students, general readers.
(CHOICE)
Documentary (1974)” -Humanities-Performing Arts-Film 2006
"About this title" may belong to another edition of this title.
Shipping:
US$ 4.30
Within U.S.A.
Book Description Condition: new. Seller Inventory # FrontCover1441124578
Book Description Condition: new. Seller Inventory # newMercantile_1441124578
Book Description Paperback. Condition: new. New. Fast Shipping and good customer service. Seller Inventory # Holz_New_1441124578
Book Description Paperback. Condition: new. Buy for Great customer experience. Seller Inventory # GoldenDragon1441124578
Book Description Paperback. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # think1441124578
Book Description Paperback. Condition: new. New. Seller Inventory # Wizard1441124578
Book Description Condition: New. Brand New. Seller Inventory # 1441124578
Book Description Paperback. Condition: New. 2nd Edition. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes). Seller Inventory # 001220977N
Book Description Soft Cover. Condition: new. Seller Inventory # 9781441124579
Book Description Condition: New. Buy with confidence! Book is in new, never-used condition. Seller Inventory # bk1441124578xvz189zvxnew