Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs an awning with the new name for his venue. The place will be called CBGB & OMFUG which, he tells them, stands for “Country Bluegrass and Blues & Other Music for Uplifting Gormandizers.” That's exactly the sort of stuff they play, they lie, somehow managing to get a gig out of him. After the first show their band, Television, lands a regular string of Sundays. By the end of the year a scene has developed that includes Tom Verlaine's new love interest, a poet-turned rock chanteuse named Patti Smith. American punk rock is born. Bryan Waterman peels back the layers of this origin myth and, assembling a rich historical archive, situates Marquee Moon in a broader cultural history of SoHo and the East Village. As Waterman traces the downtown scene's influences, public image, and reputation via a range of print, film, and audio recordings we come to recognize the real historical surprises that the documentary evidence still has to yield and come to a new appreciation of this quintessential album of the New York City night.
"synopsis" may belong to another edition of this title.
Bryan Waterman teaches American literature and culture at New York University. His previous books include, with Cyrus R. K. Patell, The Cambridge Companion to the Literature of New York City.
"About this title" may belong to another edition of this title.
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Paperback. Condition: new. Paperback. Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs an awning with the new name for his venue. The place will be called CBGB & OMFUG which, he tells them, stands for Country Bluegrass and Blues & Other Music for Uplifting Gormandizers. Thats exactly the sort of stuff they play, they lie, somehow managing to get a gig out of him. After the first show their band, Television, lands a regular string of Sundays. By the end of the year a scene has developed that includes Tom Verlaines new love interest, a poet-turned rock chanteuse named Patti Smith. American punk rock is born. Bryan Waterman peels back the layers of this origin myth and, assembling a rich historical archive, situates Marquee Moon in a broader cultural history of SoHo and the East Village. As Waterman traces the downtown scenes influences, public image, and reputation via a range of print, film, and audio recordings we come to recognize the real historical surprises that the documentary evidence still has to yield and come to a new appreciation of this quintessential album of the New York City night. A thoroughly researched study of the origins of the New York City punk scene, focusing on Television and their extraordinary debut record. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781441186058
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Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. This is a thoroughly researched study of the origins of the New York City punk scene, focusing on Television and their extraordinary debut record. Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs a sign with the new name for his venue. The place will be called CBGB which, he tells them, stands for 'Country Bluegrass and Blues'. That's exactly the sort of stuff they play, they lie, somehow managing to get a gig out of him. After the first show their band, Television, lands a regular string of Sundays. By the end of the summer a scene has developed that includes Tom Verlaine's new love interest, a poet-turned-rock chanteuse named Patti Smith. American punk rock is born. Bryan Waterman peels back the layers of the origin myth and, assembling a rich historical archive, situates Marquee Moon in a broader cultural history of SoHo and the East Village. As Waterman traces the downtown scene's influences, public image, and reputation via a range of print, film, and audio recordings we come to recognize the real historical surprises that the documentary evidence still has to yield."33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 60 titles and is acclaimed and loved by fans, musicians and scholars alike. It was only a matter of time before a clever publisher realized that there is an audience for whom "Exile on Main Street" or "Electric Ladyland" are as significant and worthy of study as "The Catcher in the Rye" or "Middlemarch.The" series, which now comprises 29 titles with more in the works, is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration - "The New York Times Book Review", 2006. This is a brilliant series.each one a word of real love - NME (UK). For more information on the series and on individual titles in the series, check out our blog. Seller Inventory # LU-9781441186058