This book presents a radical reappraisal of one of the most persistent and misunderstood aspects of British cinema: social realism. Through means of close textual analysis, David Forrest advances the case that social realism has provided British national culture with a consistent and distinctive art cinema, arguing that a theoretical re-assessment of the mode can enable it to be located within the context of broader traditions of global cinema. The book begins with the documentary movement and British wartime cinema, before moving to the British new wave and social problem cycle; the films of Ken Loach; the films of Mike Leigh; realism in the 1980s, specifically the work of Stephen Frears and Alan Clarke; before concluding with a discussion of contemporary realist cinema, specifically the work of Shane Meadows, Andrea Arnold and other recent exponents of the mode. These case studies give a thorough platform to explore the most prominent and diverse examples of realist practice in Britain over the last 80 years. The construction and critical analysis of this 'social realist canon' creates the conditions to reassess and look anew at this most British of cinematic traditions.
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David Forrest is Lecturer in Film Studies in the School of English at the University of Sheffield.
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Book Description Cambridge Scholars Publishing, 2013. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P111443851515
Book Description Cambridge Scholars Pub, 2013. Hardcover. Book Condition: Brand New. 1st unabridged edition. 245 pages. 8.25x6.00x0.75 inches. In Stock. Bookseller Inventory # 1443851515