'The face of war is changing. The other side doesn't play by the rules much any more. There's thinking, in some circles, that we need to play by a different set of rules too . . .'
Fresh from Afghanistan, James Bond has been recruited to a new agency. Conceived in the post-9/11 world, it operates independent of Five, Six and the MoD, its very existence deniable. Its aim: to protect the Realm, by any means necessary.
The Night Action alert calls Bond from dinner with a beautiful woman. GCHQ has decrypted an electronic whisper about an attack scheduled for later in the week: casualties estimated in the thousands, British interests adversely affected.
And 007 has been given carte blanche to do whatever it takes to fulfil his mission.
"synopsis" may belong to another edition of this title.
James Bond is back. And in Carte Blanche, he is just out of Afghanistan, seconded to a new security agency -- one that is a distinctly separate entity from MI5 or 6. A decryption reveals that Britain is harbouring a vicious clandestine figure, and a great many people are to die -- within a week. 007 is in action in his own country for once, his hands tied by an irritating bureaucratic colleague, and up against a sinister opponent who luxuriates in the sights and sounds of death and putrefaction. And if the latter sounds like the kind of villain Lincoln Rhyme might be taking on, that’s because 007’s new chronicler is the American writer Jeffrey Deaver, creator of the quadriplegic criminologist Rhyme.
There is now a long and impressive tradition of continuing the literary adventures of Ian Fleming's superspy after his elegant creator's death, and it has to be said that the results have been only fitfully successful. The first post-Fleming Bond novel, Robert Markham’s Colonel Sun, was a lovingly crafted tribute by a pseudonymous Kingsley Amis, and did considerable justice to the original concept. The entries by the American writer Raymond Benson were generally received with less enthusiasm (proving that Benson’s considerable knowledge of Bondiana did not constitute sufficient credentials for the task), and while the veteran thriller writer John Gardner’s entries began strongly, he appeared to lose interest in the project; the last two books in his 007 sequence were workaday, to say the least. Sebastian Falk’s recent entry, Devil May Care, placed Bond back in the Fleming era, and was a diverting outing.
Like Gardner, Jeffrey Deaver is, of course, a considerable thriller writer with a body of work that has acquired a strong following (principally for his novels featuring Lincoln Rhyme). And like any writer approaching the task of continuing the adventures of Britain's most famous spy, Deaver was faced with a variety of dilemmas. Should he bring Bond into the modern age, as John Gardner (and the continuing film franchise) had done? Or should he create a period adventure in the fashion of the last non-Fleming Bond adventure by Sebastian Falks? To some degree, Deaver has opted to have the best of both worlds. This is a 21st-century Bond, post-9/11 and post-7/7 (both namechecked in this book), and Bond has given up smoking (something else that John Gardner wished upon the hero in his series). Many of the comforting facets of the Bond books are in place, including the sybaritic lifestyle and the absurdly-named women he encounters (how long did it take Deaver to come up with the name Ophelia Maidenstone?). The eternal Miss Moneypenny is on board, as is the de rigueur grotesque villain. The modern reader consuming the book (and it demands to be consumed -- at a brisk pace) will be wondering what version of the spy chief M we will encounter: a middle-aged woman with echoes of Judi Dench? No, M in Carte Blanche is an admiral (clearly, in fact, Fleming’s Sir Miles Messervy), and all the other aspects readers have come to expect in Fleming's adroitly written thrillers are satisfyingly in place. In fact, the opening suspense sequence (involving multiple deaths and the destruction of a train) is something that would have done Fleming proud. But as Deaver would no doubt be the first to admit, there was only one Ian Fleming, and any new Bond adventure is essentially an act of ventriloquism. But if such initiatives are to be undertaken, it is to the Fleming Estate’s credit that the talented Mr Deaver was chosen for the job. Fleming aficionados may have caveats, but there is no denying that Deaver's customary storytelling expertise is handsomely on display here, and Deaver can offer a frequently persuasive Fleming simulacra. --Barry ForshawReview:
Among the high-end marques of crime, Deaver ranks in the Bentley Continental class: a sleek, fast and supremely well-engineered suspense machine . . . Deaver has stylishly fulfilled his brief. (Independent)
The most impressive feature of CARTE BLANCHE is the ingenuity of the breathless, blood-thirsty plot . . . Kingsley Amis, John Gardner and Sebastian Faulks are among those who have tried to bring Bond back to life. Deaver, though, is in a class of his own: nobody's done it better. (Evening Standard)
'Top US thriller writer Jeffery Deaver has brought Bond bang up to date . . . CARTE BLANCHE has it all.' **** (Sun)
'[A] gripping modern thriller . . . Bond fans will enjoy Deaver's slightly mischievous take on Ian Fleming. Deaver fans will enjoy the taut plotting and the action scenes and, by the way, it is going to make a great movie.' ***** (Daily Express)
'CARTE BLANCHE promises to be fast-paced, packed with twists and turns as torturous as any Bond car chase.' (The Times)
'[James Bond] lives on in the skillful hands of a suspense superstar.' (www.newsweek.com)
'I was agreeably surprised at how much I enjoyed CARTE BLANCHE, probably the best Bond continuation novel since Fleming's death nearly half a century ago. Deaver combines the best of Fleming's crisp, eclectic style without compromising his own ability to tell a cracking story.' (Literary Review)
Deaver delivers more twists than a 1960s prom dance and the plot pounds along at a breathless pace (Financial Times)
'Deaver's writing is very much like Fleming's . . . kept me turning pages.' (Irish Times)
'Deaver's enthusiasm for Bond comes through on every page and puts the gift for plotting that has garnered him such massive popularity to superb use here. So CARTE BLANCHE is excellent fun, a great read and Jeffery Deaver has breathed new life into an old favourite.' (Sunday Express)
'Brings 007 bang up to date . . . It's also thrilling and genuinely surprising like most of thriller king Deaver's novels. If they turn this into the next 007 film (after the one that comes out in 2012), it'll be great.' **** (Heat)
'Set over six action-packed days, this is a tightly wound thriller that crackles at break-neck speed . . . the Bond legacy is in safe hands.' (News of the World)
'Deaver's immaculate sense of pace comes into its own. It's hard to imagine anyone not being impressed by this novel' (Independent on Sunday)
'Top US thriller writer Jeffery Deaver and iconic spy James Bond prove to be an irresistible combination . . . In an interview last year Deaver promised his book would be "a clever story, with some very good twists and surprises" and he has certainly delivered.' (Daily Express)
Deaver gets his cultural references pretty well spot-on, and the dialogue is impressively free of stray Americanisms (Mail on Sunday)
Deaver writes crime fiction - thrillers you want to race through - and he's bloody good . . . If he was real, 007 would be a Deaver fan (The Big Issue)
[Jeffery Deaver] would have done Fleming proud . . . Deaver's customary storytelling expertise is handsomely on display (The Good Book Guide)
Wrestling with the contemporary issues of bureaucracy and privacy, CARTE BLANCHE brings Bond into the present day, and the result is a very enjoyable, action-laden thriller (Woman's Weekly)
"About this title" may belong to another edition of this title.
Book Description Hodder & Stoughton London, 2011. Hardcover. Book Condition: New. Dust Jacket Condition: New. Limited Edition... The Slipcased Limited Edition, brand new and unread, still sealed. UK signed, numbered and boxed edition hardback still in the publishers shrinkwrap as published in 2011 by Hodder & Stoughton in NEW condition. A lovely copy, complete with the sash. This is one of 750 copies worldwide. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0. Signed by Author(s). Bookseller Inventory # ABE-6948586496
Book Description HODDER & STOUGHTON, 2011. Hardcover. Book Condition: New. 1st Edition. Brand new and unread first UK signed, limited, numbered and boxed edition hardback book and still in the publishers shrinkwrap as published in 2011 by Hodder & Stoughton in truly fine condition. A lovely copy. This is one of only 750 copies worldwide. Please see photograph. Signed by Author(s). Bookseller Inventory # ABE-16077770532
Book Description Hodder & Stoughton, London, 2011. Hard Cover. Book Condition: New. Dust Jacket Condition: New. First Edition, First Impression. Limited Edition of 750 signed copies in box, this is number 167 Size: 8vo - over 7¾" - 9¾" tall. Signed by Author. Bookseller Inventory # 12216
Book Description Hodder & Stoughton, London, UK, 2011. Hardcover. Book Condition: New. Dust Jacket Condition: New. 1st Edition. A BOXED AND SEALED SIGNED LIMITED EDITION OF 750 CARTE BLANCHE 007 JAMES BOND BOOK BY JEFFERY DEAVER. BOOK IS IN A PROTECTIVE CLEAR ACETATE COVER, ALL BOOKS DESPATCHED WRAPPED IN BUBBLE WRAP AND A CARDBOARD BOX. Signed by Author(s). Bookseller Inventory # 000151