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"Life on the inside" takes on a whole new meaning. A riot has broken out at Twin Towers Jail. Simeon, five of his fellow inmates, and the prison guards assigned to them have found themselves trapped in the inescapable confines of T-block during the lockdown. Boundaries of trust are pushed to the limit as the survivors must learn to work together if they have any hope of escaping the horde of infected and the deadly secret that lies within Twin Tower's walls.We're Alive: Lockdown serves as both a stand-alone and continuation of the We're Alive: A Story of Survival series. It answers questions, asks new ones, and keeps the listener guessing right up until the bitter end.What is "audio theater for the mind?" Think of it a type of show that you can play in your head, guided by the narrative but carried by your imagination. Unlike film or television, an audio drama has the power to strike a deeper emotional connection with the audience.
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Kc Wayland studied both acting and film theory and production at Orange High School's media arts program and graduated with the Principal's Medallion. He also won its Award of Excellence in Arts and Best Student Editor in 2001 and worked as a cinematographer on a video poem entitled Blue Doll, a short that went on to play at the Sundance Film Festival. He has produced numerous short films and a documentary about his journeys overseas after enlisting in the army. This feature-length film won Best Documentary at Chapman University in 2005, Best Student Documentary in the Big Bear Lake International Film Festival in 2006, and Best Student Film at the Tiberon International Film Festival. He currently works at Dodge College of Film and Media Arts as the digital applications specialist. In his time away from work, he continues to write, produce, edit, and direct the award-winning audio-drama serial We're Alive.
Grayson Stone has studied sound design for film production at Chapman University. With extensive experience in the art of foley and audio editing and mixing, he has applied his skills to make We're Alive the best it can be.Review:
''Masterful storytelling with no filler. Everything happens for a reason.'' --Matthew Lemuz, listener review
''From heartwarming to heart-wrenching and back again. A truly fantastic conclusion to an epic journey!'' --Marcos Classen, listener review
''We're Alive is a modern rendition of an old-school medium. Maintaining a style that is both retro and contemporary, the radio drama will give horror fans the campy, kitschy style they like, but it also provides a variety of characters and development to keep general audiences engaged...Despite not being able to see the action, the excitement and intensity is still sustained through score and sound design. In some ways, the lack of visuals to accompany the audio creates more suspense. The narrator controls how much the audience knows, slowly teasing out information. Accompanying the drama are sparse moments of comedic relief...Expressing a keen awareness of the zombie subgenre, many of the jokes come from familiar scenarios and tropes of zombie stories.'' --Examiner.com
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