The slaves of the Caribbean contributed not only to the wealth of their masters, but also to the cultural heritage of the British Empire. For, as this film shows, such landmark institutions as the National Gallery, the Tate Gallery, and the British Museum were all funded by money made from the slave trade.
Documented in fascinating detail through letters, paintings and poetry, the eighteenth century is shown to be both an age of high culture and an age of cruelty. The word "patron" had the dual meaning of owner of slaves and supporter of the arts. The film shows how the art of the period romanticized the servitude of the plantation blacks. As Hogarth's prints show, black domestics would be exquisitely attired to reflect the riches of their masters. Again and again we see in works of art that the black servants were depicted as a precious, exotic ornament, even as they were brutalized in real life.
Published and distributed by Filmakers Library.
Public Performance Rights.
All films purchased from Filmakers Library include Public Performance Rights, allowing an institution to exhibit a legally-acquired copy, so long as:
No admission fee/donation is collected.
The screening takes place at the purchasing venue itself.
The primary audience for the screening is members of the purchasing institution (for example, students and faculty of a school) and the screening IS NOT advertised or promoted to the general public.
"synopsis" may belong to another edition of this title.
(No Available Copies)
If you know the book but cannot find it on AbeBooks, we can automatically search for it on your behalf as new inventory is added. If it is added to AbeBooks by one of our member booksellers, we will notify you!Create a Want