With a bet Henry Higgins turns his life upside down as Eliza Doolittle, a poor flower girl is taught to pass as a duchess at an ambassador's garden party. Higgins believes that the only thing needed is to teach Doolittle how to speak. Taking a swipe at the social class system of the British and women's independence Bernard Shaw brings to life a humorous tale that has been retold over and over again.
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One of George Bernard Shaw's best-known plays, Pygmalion was a rousing success on the London and New York stages, an entertaining motion picture and a great hit with its musical version, My Fair Lady. An updated and considerably revised version of the ancient Greek legend of Pygmalion and Galatea, the 20th-century story pokes fun at the antiquated British class system.
In Shaw's clever adaptation, Professor Henry Higgins, a linguistic expert, takes on a bet that he can transform an awkward cockney flower seller into a refined young lady simply by polishing her manners and changing the way she speaks. In the process of convincing society that his creation is a mysterious royal figure, the Professor also falls in love with his elegant handiwork.
The irresistible theme of the emerging butterfly, together with Shaw's brilliant dialogue and splendid skills as a playwright, have made Pygmalion one of the most popular comedies in the English language. A staple of college drama courses, it is still widely performed.
One of Shaw's most enduring works, Pygmalion is an insightful comedy of class relations and perceptions, as played out between a Cockney flower girl and the irascible speech professor who has taken her on as a pet project. Described by critics as "a play of great vitality and charm," Pygmalion inspired the award-winning stage and film productions of Lerner and Loewe's musical, My Fair Lady.
An L.A. Theatre Works full-cast performance featuring Roslyn Alexander, Shannon Cochran, Denise du Maurier, Rebecca MacLean, David New, Kenneth J. Northcott, Nicholas Pennell, Nicholas Rudall, Ben Whitehouse and Laura Whyte.
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