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The young, handsome Dorian Gray sits as subject for a portrait that is soon to become a metaphor for his degenerate lifestyle; for as fresh-faced Dorian spirals toward dissolution, it is the painting rather than the man that betrays the ravages of time. 'The Picture of Dorian Gray' is a morally ambivalent tale of vanity, decadence, and bloodshed that shocked Victorian Britain upon its publication in 1890. Subsequently toned down, it is presented here in its original incarnation. [Printed on traditional cream paper and set in comfortably legible print with wide, thumb-friendly margins.]
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A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."From the Publisher:
Oscar Wilde's only published full length novel, is the story of a man who sells his soul for eternal youth. In exchange, what does he give up and what does he gain? This novel, by Wilde is a wonderful soul-searching example of the cost of paradise, and the price of a wish.
Read by actor, comedian, novelist, journalist, screenwriter Stephen Fry, Dorian Gray's dilemma comes alive. He has also acted in a variety of films including A Fish Called Wanda, Peter's Friends, and The Wind in the Willows.
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Book Description CreateSpace Independent Publishing Platform, 2013. Condition: New. book. Seller Inventory # M1481928570
Book Description CreateSpace Independent Publishing Platform. Paperback. Condition: Brand New. This item is printed on demand. Seller Inventory # zk1481928570
Book Description CreateSpace Independent Publishing Platform, 2013. Paperback. Condition: New. 1. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. Buy with confidence, excellent customer service!. Seller Inventory # 1481928570n