A minute-by-minute analysis of Gus Van Sant film, Gerry (2002).
Blending film criticism with creative nonfiction, each book in the Timecodes series focuses on one film, exploring it minute by minute beginning with minute one, and ending with the final minute before the closing credits.
In the canon of director Gus Van Sant's films, Gerry (2002) stands out as a singular work, a boldly experimental film that nonetheless is accessible, darkly humorous, and profound. Gerry: Minute by Minute is a non-traditional critical study of this film, a bold, impressionistic series of vignettes that circle around questions which are highly specific to Gerry itself but which are also universal: what is it about certain works of art-films, books, paintings, music-that attach themselves to us so that we carry them with us on our journey through life? What does it mean to walk with these works inside us, as if they are a part of us?
The book's structure unfolds chronologically along with the film, with one moment from each of the film's 100 minutes serving as the basis for the chapters. Each of the 100 vignette chapters takes on topics ranging from the particulars of the film itself, including: the inventive use of camera movement and sound; the productive nature of collaboration; the driving themes and philosophies that inform the film; the blistering heat, in Death Valley, of its production; the place of Gerry in American cinema and its European influences, especially Béla Tarr; the impact of 9-11 on the cultural landscape of 2001-02, when Gerry was filmed and released; and what it means to “walk” with a film or a book, carrying it our heads as it informs who we are, often in subtle ways invisible to those around us.
"synopsis" may belong to another edition of this title.
Nicholas Rombes is a professor of English at the University of Detroit Mercy, USA. His books include Ramones (Continuum, 2005), New Punk Cinema (2005), and Cinema in the Digital Age (2017). He has written for Exquisite Corpse, McSweeney's online, and CTheory.
Nadine Boljkovac is Assistant Professor at the University of Colorado, Colorado Springs, USA. She is the author of Little Women (2019) (Bloomsbury, forthcoming) and Untimely Affects: Gilles Deleuze and an Ethics of Cinema (2013; 2015), examining Alain Resnais's & Chris Marker's works. Writing appears in Camera Obscura; Cineaste; The Anthem Handbook of Screen Theory; The Sustainable Legacy of Agnès Varda; Studies in European Cinema; Screening the Past; Gilles Deleuze: Image and Text, and others.
"About this title" may belong to another edition of this title.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 48384980-n
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. A minute-by-minute analysis of Gus Van Sant film, Gerry (2002). Blending film criticism with creative nonfiction, each book in the Timecodes series focuses on one film, exploring it minute by minute beginning with minute one, and ending with the final minute before the closing credits.In the canon of director Gus Van Sants films, Gerry (2002) stands out as a singular work, a boldly experimental film that nonetheless is accessible, darkly humorous, and profound. Gerry: Minute by Minute is a non-traditional critical study of this film, a bold, impressionistic series of vignettes that circle around questions which are highly specific to Gerry itself but which are also universal: what is it about certain works of artfilms, books, paintings, musicthat attach themselves to us so that we carry them with us on our journey through life? What does it mean to walk with these works inside us, as if they are a part of us? The books structure unfolds chronologically along with the film, with one moment from each of the films 100 minutes serving as the basis for the chapters. Each of the 100 vignette chapters takes on topics ranging from the particulars of the film itself, including: the inventive use of camera movement and sound; the productive nature of collaboration; the driving themes and philosophies that inform the film; the blistering heat, in Death Valley, of its production; the place of Gerry in American cinema and its European influences, especially Bela Tarr; the impact of 9-11 on the cultural landscape of 2001-02, when Gerry was filmed and released; and what it means to walk with a film or a book, carrying it our heads as it informs who we are, often in subtle ways invisible to those around us. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781501399718
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 48384980
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. A minute-by-minute analysis of Gus Van Sant film, Gerry (2002). Blending film criticism with creative nonfiction, each book in the Timecodes series focuses on one film, exploring it minute by minute beginning with minute one, and ending with the final minute before the closing credits.In the canon of director Gus Van Sant's films, Gerry (2002) stands out as a singular work, a boldly experimental film that nonetheless is accessible, darkly humorous, and profound. Gerry: Minute by Minute is a non-traditional critical study of this film, a bold, impressionistic series of vignettes that circle around questions which are highly specific to Gerry itself but which are also universal: what is it about certain works of art-films, books, paintings, music-that attach themselves to us so that we carry them with us on our journey through life? What does it mean to walk with these works inside us, as if they are a part of us? The book's structure unfolds chronologically along with the film, with one moment from each of the film's 100 minutes serving as the basis for the chapters. Each of the 100 vignette chapters takes on topics ranging from the particulars of the film itself, including: the inventive use of camera movement and sound; the productive nature of collaboration; the driving themes and philosophies that inform the film; the blistering heat, in Death Valley, of its production; the place of Gerry in American cinema and its European influences, especially Béla Tarr; the impact of 9-11 on the cultural landscape of 2001-02, when Gerry was filmed and released; and what it means to "walk" with a film or a book, carrying it our heads as it informs who we are, often in subtle ways invisible to those around us. Seller Inventory # LU-9781501399718
Quantity: Over 20 available
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # GB-9781501399718
Quantity: 1 available
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new. Seller Inventory # HQ2Y81OPZ6
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Seller Inventory # 394423697
Quantity: 3 available
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 160 pages. 7.75x5.01x1.00 inches. In Stock. Seller Inventory # __1501399713
Quantity: 1 available
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Seller Inventory # V9781501399718
Quantity: Over 20 available
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In. Seller Inventory # ria9781501399718_new
Quantity: 1 available