Trois Gymnopedies for Violin and Piano

 
9781511683784: Trois Gymnopedies for Violin and Piano
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Erik Satie was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd. An eccentric, Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrician" (meaning "someone who measures sounds") preferring this designation to that of a "musician", after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911. In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American culture chronicle Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late 19th century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.

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Book Description Createspace, United States, 2015. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. Erik Satie was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd. An eccentric, Satie was introduced as a gymnopedist in 1887, shortly before writing his most famous compositions, the Gymnopedies. Later, he also referred to himself as a phonometrician (meaning someone who measures sounds ) preferring this designation to that of a musician, after having been called a clumsy but subtle technician in a book on contemporary French composers published in 1911. In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American culture chronicle Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late 19th century he appears to have used pseudonyms such as Virginie Lebeau and Francois de Paule in some of his published writings. Seller Inventory # APC9781511683784

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Book Description Createspace, United States, 2015. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Erik Satie was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd. An eccentric, Satie was introduced as a gymnopedist in 1887, shortly before writing his most famous compositions, the Gymnopedies. Later, he also referred to himself as a phonometrician (meaning someone who measures sounds ) preferring this designation to that of a musician, after having been called a clumsy but subtle technician in a book on contemporary French composers published in 1911. In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American culture chronicle Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late 19th century he appears to have used pseudonyms such as Virginie Lebeau and Francois de Paule in some of his published writings. Seller Inventory # APC9781511683784

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Book Description CreateSpace Independent Publishing Platform. Paperback. Condition: New. This item is printed on demand. 24 pages. Dimensions: 11.0in. x 8.5in. x 0.1in.Erik Satie was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd. An eccentric, Satie was introduced as a gymnopedist in 1887, shortly before writing his most famous compositions, the Gymnopdies. Later, he also referred to himself as a phonometrician (meaning someone who measures sounds) preferring this designation to that of a musician, after having been called a clumsy but subtle technician in a book on contemporary French composers published in 1911. In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American culture chronicle Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late 19th century he appears to have used pseudonyms such as Virginie Lebeau and Franois de Paule in some of his published writings. This item ships from La Vergne,TN. Paperback. Seller Inventory # 9781511683784

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