Henry Theophilus Finck Chopin

ISBN 13: 9781514850480

Chopin

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Chopin's reputation has been constantly growing, and yet many of his deepest and most poetic compositions are almost unknown to amateurs, not to speak of the public at large. A few of his least characteristic pieces are heard in every parlor, generally in a wofully mutilated condition, but some of his most inspired later works I have never heard played either in private or in the concert hall, although I am sure that if heard there they would be warmly applauded. There is hardly a composer concerning whom so many erroneous notions are current as concerning Chopin, and of all the histories of music I have seen that of Langhans is the only one which devotes to Chopin an amount of space approximately proportionate to his importance. One of the most absurd of the misconceptions is that Chopin's genius was born in full armor, and that it did not pass through several stages of development, like that of other composers. Chopin did display remarkable originality at the very beginning, but the apparent maturity of his first published works is due to the fact that he destroyed his earliest efforts and disowned those works which are known as posthumous, and which may have created confusion in some minds by having received a higher "opus" number than his last works.

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About the Author:

Henry Theophilus Finck (September 22, 1854 – October 1, 1926) was an American music critic, a leading promoter in the United States of Richard Wagner and his musical theories. Finck was born at Bethel, Missouri, and raised in Portland, Oregon, where he was taught piano and violincello. He taught himself Latin and Greek so thoroughly that he was able to enter Harvard as a sophomore in 1872. At Harvard, he studied philosophy, the classics, and music. He graduated in 1876. He attended the Bayreuth Festival in 1876, of which he wrote accounts for newspapers and magazines. The Harris fellowship from Harvard being awarded to him, he spent three years (1878–1881) in the study of physiological psychology in Berlin, Heidelberg, and Vienna. He became musical editor of the New York Evening Post in 1881 and was on the editorial staff of the associated journal, The Nation. He was connected with them for forty years. While at the Post, he also served as the epicurean editor and reviewed all the new garden books.

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Book Description Createspace Independent Publishing Platform, United States, 2015. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. Chopin s reputation has been constantly growing, and yet many of his deepest and most poetic compositions are almost unknown to amateurs, not to speak of the public at large. A few of his least characteristic pieces are heard in every parlor, generally in a wofully mutilated condition, but some of his most inspired later works I have never heard played either in private or in the concert hall, although I am sure that if heard there they would be warmly applauded. There is hardly a composer concerning whom so many erroneous notions are current as concerning Chopin, and of all the histories of music I have seen that of Langhans is the only one which devotes to Chopin an amount of space approximately proportionate to his importance. One of the most absurd of the misconceptions is that Chopin s genius was born in full armor, and that it did not pass through several stages of development, like that of other composers. Chopin did display remarkable originality at the very beginning, but the apparent maturity of his first published works is due to the fact that he destroyed his earliest efforts and disowned those works which are known as posthumous, and which may have created confusion in some minds by having received a higher opus number than his last works. Seller Inventory # APC9781514850480

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Book Description Createspace Independent Publishing Platform, United States, 2015. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Chopin s reputation has been constantly growing, and yet many of his deepest and most poetic compositions are almost unknown to amateurs, not to speak of the public at large. A few of his least characteristic pieces are heard in every parlor, generally in a wofully mutilated condition, but some of his most inspired later works I have never heard played either in private or in the concert hall, although I am sure that if heard there they would be warmly applauded. There is hardly a composer concerning whom so many erroneous notions are current as concerning Chopin, and of all the histories of music I have seen that of Langhans is the only one which devotes to Chopin an amount of space approximately proportionate to his importance. One of the most absurd of the misconceptions is that Chopin s genius was born in full armor, and that it did not pass through several stages of development, like that of other composers. Chopin did display remarkable originality at the very beginning, but the apparent maturity of his first published works is due to the fact that he destroyed his earliest efforts and disowned those works which are known as posthumous, and which may have created confusion in some minds by having received a higher opus number than his last works. Seller Inventory # APC9781514850480

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Book Description 2015. PAP. Condition: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # IQ-9781514850480

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