Max Beerbohm Zuleika Dobson

ISBN 13: 9781519643377

Zuleika Dobson

 
9781519643377: Zuleika Dobson

Max Beerbohm was a well known English essayist in the early 20th century, and he is best known today for the 1911 novel Zuleika Dobson.

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From the Inside Flap:

Zuleika Dobson is a highly accomplished and superbly written book whose spirit is farcical," said E. M. Forster. "It is a great work--the most consistent achievement of fantasy in our time . . .
so funny and charming, so iridescent yet so profound."
Originally published in 1911, Max Beerbohm's sparklingly wicked satire concerns the unlikely events that occur when a femme fatale briefly enters the supremely privileged, all-male domain of Judas Col-
lege, Oxford. A conjurer by profession, Zuleika Dobson can only love a man who is impervious to her considerable charms: a circumstance that proves fatal, as any number of love-smitten suitors are driven to suicide by the damsel's rejection. Laced with memorable one-liners ("Death cancels all engagements," utters the first casualty) and inspired throughout by Beerbohm's rococo imagination, this lyrical evocation of Edwardian undergraduate life at Oxford has, according to Forster, "a beauty unattainable by serious literature."
"I read Zuleika Dobson with pleasure," recalled Bertrand Russell. "It represents the Oxford that the two World Wars have destroyed with a charm that is not likely to be reproduced anywhere in the world for the next thousand years."

From the Back Cover:

Originally published in 1911, Max Beerbohm's sparklingly wicked satire concerns the unlikely events that occur when a femme fatale briefly enters the supremely privileged, all-male domain of Judas College, Oxford. A conjurer by profession, Zuleika Dobson can only love a man who is impervious to her considerable charms: a circumstance that proves fatal, as any number of love-smitten suitors are driven to suicide by the damsel's rejection. Laced with memorable one-liners ("Death cancels all engagements", utters the first casualty) and inspired throughout by Beerbohm's rococo imagination, this lyrical evocation of Edwardian undergraduate life at Oxford has, according to Forster, "a beauty unattainable by serious literature".

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