Mary Jo Bang's fifth collection, Elegy, chronicles the year following the death of her son. By weaving the particulars of her own loss into a tapestry that also contains the elements common to all losses, Bang creates something far larger than a mere lament. Continually in search of an adequate metaphor for the most profound and private grief, the poems in Elegy confront, in stark terms and with a resilient voice, how memory haunts the living and brings the dead back to life. Within these intimate and personal poems is a persistently urgent, and deeply touching, examination of grief itself.
"synopsis" may belong to another edition of this title.
Mary Jo Bang is the author of four previous books of poetry, including Louise in Love and The Eye Like a Strange Balloon. She lives in St. Louis, Missouri, where she is director of the creative writing program at Washington University.
Starred Review. In her powerful fifth collection, Bang asks, What is elegy but the attempt / To rebreathe life/ Into what the gone one once was. Writing to mourn the death of her adult son, Bang interrogates the elegiac form and demands of it more than it can give, frustrated, over and over again, with memory, which falls pitifully short of life: Memory is deeply not alive; it's a mock-up/ And this renders it hateful. The urgent line breaks of Bang's fractured sentences build their own drama, as if her precisions might determine whether or not she will cross the fissures between what she wants to say and what she can't. Aware that there is no vocabulary equal to conveying the pain of losing a loved one or the struggle to be faithful to the loss, the poet ruefully admits, That's where things went wrong./ Is went into language. Plumbing a world made strange by grief means forsaking the mundane; as a result, there are only a few everyday objects in these poems— an overcoat,roller-skates and Phenobarbital pills. Ostensibly a linear account of a year of sorrow, the structure of the collection suggests rather that grief might be crystalline, the poems accruing around a memory that won't move on: I say Come Back and you do/ Not do what I want. While the poet must write and rewrite in order to get her subject right, the mother of a dead child writes to fill the a bottomless chasm.Like Joan Didion in The Year of Magical Thinking, Bang finds no easy consolation, and there is pain for the reader here, too, as when, toward the end of the collection, Bang writes, Everything Was My Fault / Has been the theme of the song. Calling to mind Sharon Olds's TheFather and Donald Hall's Without, two other harrowing contemporary book-length poetic studies of loss, Bang offers, if not hope, a kind of keeping company, a way, however painful, to go on: Otherwise no longer exists./ There is only stasis, continually/ Granting ceremony to the moment. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Excerpted from Elegy by Bang, Mary Jo Copyright ©2007 by Bang, Mary Jo. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
"About this title" may belong to another edition of this title.
Seller: NW Book Rescue, Hubbard, OR, U.S.A.
hardcover. Condition: Good. Good clean copy. Minimal signs of wear. Seller Inventory # FGL-05-12-2025-0238-446K-F0190
Seller: Greenworld Books, Arlington, TX, U.S.A.
Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy. Seller Inventory # GWV.155597483X.G
Seller: HPB-Ruby, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_471457709
Seller: HPB-Emerald, Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_471546595
Seller: Rye Berry Books, Placerville, CA, U.S.A.
hardcover. Condition: Very Good. Used - Very Good:Â Minimal wear (such as light marks, edgewear, cuts, bends, or crushes) on cover/edges, but pages are clean and text is unmarked. May contain remainder marks on outside edges. May be missing bundled media, access codes, and/or accessories. Seller Inventory # R3-E-00077-V
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G155597483XI5N00
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G155597483XI4N10
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G155597483XI3N00
Seller: ThriftBooks-Reno, Reno, NV, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G155597483XI4N10
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G155597483XI4N00