"This book, HERE: Poems for the Planet, contains many beautiful, generous poems and ideas for action. It is my heartfelt hope that they will inspire readers who ask themselves, 'But what can I do?' to see that there is a way forward―learning to share the earth and its resources, while taking care of it together." ―His Holiness The Dalai Lama
“By so exquisitely and compassionately illuminating our planetary predicament, these spirited poems of diverse perspectives inspire us to step forward in hope.” ―Booklist
HERE: Poems for the Planet is a lovesong to a planet in crisis. Summoning a chorus of over 125 diverse poetic voices, this anthology approaches the impending environmental crisis with a sense of urgency and hopefulness. Now more than ever is the time for this book as it seeks to galvanize readers, students, teachers, philanthropists and everyday people to address the realities of climate change head on and become individual catalysts for change. Here looks at the world with a renewed sense of courage, fighting fear that so often leads to indifference and cynicism. The anthology also includes an activist guide, created in tandem with the Union of Concerned Scientists, and an introduction by His Holiness, the Dalai Lama. With these poems, we hope you will see with new eyes what the astronauts saw the first time they peered down from space at our tiny world.
“Here: Poems for the Planet is so much more than a poetry collection [it is] dedicated to all we stand to lose as the Earth heats up.” ―Tricycle Magazine
“In these pages scientists write to poets―and to all of us who love poems. We are sharing common language, looking at the same marvelous, embattled world together and wanting it to stay.” ―Poetry Northwest
"synopsis" may belong to another edition of this title.
An anthology of contemporary poets writing for a planet in crisis, speaking in diverse voices from praise to witness to grief―and into action.
be careful
Ed Roberson
i must be careful about such things as these.
the thin-grained oak. the quiet grizzlies scared
into the hills by the constant tracks squeezing
in behind them closer in the snow. the snared
rigidity of the winter lake. deer after deer
crossing on the spines of fish who look up and stare
with their eyes pressed to the ice. in a sleep. hearing
the thin taps leading away to collapse like the bear
in the high quiet. i must be careful not to shake
anything in too wild an elation. not to jar
the fragile mountains against the paper far-
ness. nor avalanche the fog or the eagle from the air.
of the gentle wilderness i must set the precarious
words. like rocks. without one snowcapped mistake
Ruin and Beauty
Patricia Young
It's so quiet now the children have decided to stop
being born. We raise our cups in an empty room.
In this light, the curtains are transparent as gauze.
Through the open window we hear nothing-
no airplane, lawn mower, no siren
speeding its white pain through the city's traffic.
There is no traffic. What remains is all that remains.
The brick school at the five points crosswalk
is drenched in morning glory.
Its white flowers are trumpets
festooning this coastal town.
Will the eventual forest rise up
and remember our footsteps? Already
seedlings erupt through cement,
crabgrass heaves through cracked marble,
already wolves come down from the hills
to forage among us. We are like them now,
just another species looking to the stars
and howling extinction.
They say the body accepts any kind of sorrow,
that our ancestors lay down on their stomachs
in school hallways, as children they lay down
like matches waiting for a nuclear fire.
It wasn't supposed to end like this:
all ruin and beauty, vines waterfalling down
a century's architecture; it wasn't supposed to end
so quietly, without fanfare or fuss,
a man and woman collecting rain
in old coffee tins. Darling,
the wars have been forgotten.
These days our quarrels are only with ourselves.
Tonight you sit on the edge of the bed loosening your shoes.
The act is soundless, without future
weight. Should we name this failure?
Should we wake to the regret at the end of time
doing what people have always done
and say it was not enough?
Invitation
Aimee Nezhukumatathil
Come in, come in. The water’s fine! You can’t get lost
here. Even if you want to hide behind a clutch
of spiny oysters―I’ll find you. If you ever leave me
at night, by boat, you’ll see the arrangement
of red-gold sun stars in a sea of milk. And though
it’s tempting to visit them―stay. I’ve been trained
to gaze up all my life, no matter the rumble
on earth, but I learned it’s okay to glance down
into the sea. So many lessons bubble up if you know
where to look. Clouds of plankton churning
in open whale mouths might send you east
and chewy urchins will slide you west. Squid know
how to be rich when you have ten empty arms.
Can you believe there are humans who don’t value
the feel of a good bite and embrace at least once a day?
Underneath you, narwhals spin upside down
while their singular tooth needles you
like a compass pointed towards home. If you dive
deep enough where imperial volutes and hatchetfish
swim, you will find all the colors humans have not yet
named, and wide caves of black coral and clamshell.
A giant squid finally let itself be captured
in a photograph, and the paper nautilus ripple-flashes
scarlet and two kinds of violet when it silvers you near.
Who knows what will happen next? And if you still want
to look up, I hope you see the dark sky as oceanic―
boundless, limitless―like all the shades of blue in a glacier.
Listen how this planet spins with so much fin, wing, and fur.
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