essays in prose/poem form
"synopsis" may belong to another edition of this title.
If you want politics with your poetry, this is the book for you--politics not as subject but as a process, highlighting "language mechanism" rather than content. Sherry ( Popular Fiction ) is a member in good standing of the Language Poets, who contend that language itself is complicitous in the schemings of capitalist culture. The conspiracy-mongering in these short prose poems has its hysterical moments ("The idea of a native meter of American speech is an effort to co-opt and freeze the way people speak"), and the language itself, for all the author's brash intentions to save it from "the ruling classes," seems as if a neutron bomb has visited--no signs of life, only structures. There is a loose narrative here--Graceland, a "displaced underwriter of short-term paper," and Carpaccio, a "hazardous-waste disposer," make random appearances in a post-nuclear holocaust landscape--yet one senses there is little but contempt for the reader in these half-hearted concessions to storytelling. Because this is perhaps the most intricate statement yet from the theoretical far left in American poetry, its inability to mount a persuasive argument may well signal that movement's long-rumored death.
Copyright 1991 Reed Business Information, Inc.
"About this title" may belong to another edition of this title.
Seller: The Paper Hound Bookshop, Vancouver, BC, Canada
Soft cover. Condition: Very Good. Seller Inventory # 220989
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Seller: True Oak Books, Highland, NY, U.S.A.
Paperback. Condition: Very Good. New American Poetry Series; 7.4 X 4.9 X 1.0 inches; 264 pages; The book is in great overall condition despite minor cosmetic wear.; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. Seller Inventory # A-1468-12M-1-99.99