In Nod, her ninth book of fiction, American novelist and poet Fanny Howe explores sibling rivalry within a family that, in the wake of World War II, is both disintegrating and stumbling into the terrible, dark adulthood of the latter half of the Twentieth Century.
Yet for all of the dark forces at work in Howe's novel, she presents also a world of wonder, of sexual awakenings interlinked with the Irish countryside and culture in which the girls grow up, the strange stories and myths they hear from the Norwegian north and retell through their own highly-wrought imaginations. The central figures of this fiction, Irene and Cloda, interact with one another and the man who has encamped in their ghost-, now guest-room, as if playing out the lives of the Brontes to a packed theater audience.
At the core of this tale, however, is a deep emptiness, a loneliness created from cultural events and both their mother's and father's refusal to accept the fates that overwhelm the sisters in their small Irish encampment. Both seek desperately to escape, Irene to her imaginary world of art and adulthood, Cloda to some dark magic corner where she can learn to become something of worth.
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Fanny Howe is Professor of English at the University of California-San Diego.
"Between a child's progress from a heavenly world to a world that is a likeness of heaven and then to a world which is delivered and upheld by a dream of heaven, there is only the world." That heavenless world is the setting of this dark fable in prose, verse and pictures from poet and novelist Howe (Saving History; one crossed out), which describes the disintegration of a bohemian Irish-German-American family on the eve of WWII as discontent drives each family member to neglect, abuse or psychosis. The mother, an avant-garde performer, and the father, a distracted academic, leave their adoptive Dublin home to pursue their careers on the Continent. Favored older daughter Irene stays in Ireland with her despised sister, Cloda, while the self-absorbed parents ignore signs of oncoming war. When their mother's former lover, a Norwegian translator, moves in with the sisters, he and 18-year-old Irene fall in love, isolating Cloda even further. Language, not plot, propels this book by way of metaphors, sensory images and lilting rhythms. Interspersed into the narrative are little stories told with traditional syntax and modern irony. As the sisters take on mythic proportions, the war between them seems both to echo and to predict the history of their century. In no sense a traditional novel, this virtuosic book nevertheless recalls such "ante-modernist" fictions as Mann's "Tonio Kroeger" and Yeats's plays, which make their own appearances in the narrative. Woodcut illustrations not seen by PW.
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Seller: Neutral Balloon Books, Ardmore, PA, U.S.A.
hardcover. Condition: Good. First Edition. Nod by Fanny Howe. First edition first printing hardcover with a full number line. Published by Sun & Moon Press, 1998. Good condition. Pages look free of notations. Dust jacket shows wear with tears on the spine. Please see pictures for condition. Seller Inventory # 121925012
Seller: Bad Animal, Santa Cruz, CA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Los Angeles: Sun & Moon Books, 1998. Small octavo. Hardcover with a dust jacket. First edition, first printing. Signed by the author on the title page. Green boards with gilt lettering and design. Tiny smudge on the half title page. Unclipped jacket has light rubbing to the covers. Book and jacket are both in near fine condition. Signed by Author(s). Seller Inventory # 001984