Welcome to the bizarre world of Fletcher Hanks, the mysterious cartoonist who created a hailstorm of tales of brutal retribution from 1939-1941...and then mysteriously vanished. His obscure and hard to find stories are finally collected here.
Welcome to the bizarre world of Fletcher Hanks, Super Wizard of the Inkwell. Fletcher Hanks worked for only a few years in the earliest days of the comic book industry (1939-1941). Because he worked in a gutter medium for second-rate publishers on third-rate characters, his work has been largely forgotten. But among aficionados he is legendary. At the time, comic books were in their infancy. The rules governing their form and content had not been established. In this Anything Goes era, Hanks' work stands out for its thrilling experimentation. At once both crude and visionary, cold and hot as hell, Hanks' work is hard to pigeon hole. One thing is for certain: the stuff is bent. Hanks drew in a variety of genres depicting science-fiction saviors, white women of the jungle, and he-man loggers. Whether he signed these various stories "Henry Fletcher" or "Hank Christy" or "Barclay Flagg" there is no mistaking the unique outsider style of Fletcher Hanks."synopsis" may belong to another edition of this title.
Paul Karasik is a cartoonist who appears in the New Yorker, the co-author (along with David Mazzucchelli) of the perennial graphic novel classic City of Glass, adapted from Paul Auster’s novel, and the co-author (with Marc Newgarden) of the ultimate deconstruction of Ernie Bushmiller’s Nancy, How to Read Nancy. He lives in Martha’s Vineyard.
One of the strangest cartoonists of American comics' Golden Age, Hanks had a short career—the 15 stories collected here were all published between 1939 and 1941—but the deranged, nightmarish vigor of his work has made it something of a cult item. Hanks created pulpy characters like Stardust the Super Wizard, the scientific marvel whose vast knowledge of all planets has made him the most remarkable person ever known and the jungle heroine Fantomah, whose face becomes a snarling skull when she uses her magic powers. The artist's manic obsessions turn up again and again: global-scale atrocities, miraculous rays and, most of all, poetically apt punishments. In a typical story, Master-Mind De Structo tries to suffocate America's heads of state with an oxygen-destroying ray, so Stardust turns him into a giant head, then hurls him into a space pocket of living death occupied by a headless headhunter. Hanks's artwork is crude and technically limited (each of his characters has exactly one, wildly caricatured, facial expression), but nearly every page has some image that sings out with deep, primal power. In an afterword, editor Paul Karasik explains how he tracked down Hanks's son and learned a bit more about the artist's sad life and death. (July)
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Hanks, who plied his trade in the late 1930s and early 1940s, has been called the Ed Wood of comic books, but his narratives are far more bizarre than Wood's film scenarios, and his naive artwork resembles that of outsider artists like Henry Darger. His creations include jungle queen Fantomah, who morphs into an all-powerful, skull-faced avenger; he-man lumberjack Big Red McLane; and his chef d'oeuvre, Stardust, "master of space and interplanetary forces," a tiny-headed, barrel-chested, eight-foot superhero with limitless powers. Hanks definitely had a vision, albeit a loopy one. In every story here, justice is meted out in cruelly imaginative ways to "spies and grade-A racketeers," "a gigantic fifth column," and other miscreants. Stardust transforms them into icicles that melt away, or giant rats he then drowns. Hanks' crude but powerful draftsmanship makes such grisly executions laughably nightmarish. In a comics-format afterword as sensitive and nuanced as Hanks' work is harsh and blunt, compiler Karasik tracks down the fate of the elusive Hanks, who vanished from the scene after producing a handful of hauntingly demented works. Flagg, Gordon
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Hardcover. Condition: Very Good. Trade PB. 4to. Published by Fantagraphics, Seattle, WA. 2007. 120 pgs. Illustrated. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Welcome to the bizarre world of Fletcher Hanks, the mysterious cartoonist who created a hailstorm of tales of brutal retribution from 1939-1941.and then mysteriously vanished. His obscure and hard to find stories are finally collected here. Welcome to the bizarre world of Fletcher Hanks, Super Wizard of the Inkwell. Fletcher Hanks worked for only a few years in the earliest days of the comic book industry (1939-1941). Because he worked in a gutter medium for second-rate publishers on third-rate characters, his work has been largely forgotten. But among aficionados he is legendary. At the time, comic books were in their infancy. The rules governing their form and content had not been established. In this Anything Goes era, Hanks' work stands out for its thrilling experimentation. At once both crude and visionary, cold and hot as hell, Hanks' work is hard to pigeon hole. One thing is for certain: the stuff is bent. Hanks drew in a variety of genres depicting science-fiction saviors, white women of the jungle, and he-man loggers. Whether he signed these various stories "Henry Fletcher" or "Hank Christy" or "Barclay Flagg" there is no mistaking the unique outsider style of Fletcher Hanks. EB; 8.5 X 0.6 X 11 inches; 120 pages. Seller Inventory # 66040