Ordinary Victories: What Is Precious (Pt. 2) - Softcover

Larcenet, Manu

  • 4.23 out of 5 stars
    254 ratings by Goodreads
 
9781561635337: Ordinary Victories: What Is Precious (Pt. 2)

Synopsis


Marco comes to terms with having a child, the loss of his father and his relationship with him, his mother comes to terms with living alone, a man dies in the countryside, a journalist cracks under pressure. The final part of this extraordinarily moving story which has received top acclaim. It’s about small things, rare moments, banal sadness and an ordinary guy who’s just trying to live the best way he can.

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About the Author

Burne Hogarth (Author) :

Reviews

Starred Review. Completing the story that began with the award-winning Ordinary Victories (2005), this album from French-Belgian Larcenet shows depressive, panic-prone photographer Marco continuing to search for reasons to stay alive. The overall style resembles that of Herge's Tin-Tin: realistic setting (though sketched rather roughly) through which cartoony characters move. Larcenet's characters, however, resemble the Peanuts cast—if readers can imagine a shaggier, big-nosed Charley Brown trying to cope with his father's suicide, his girlfriend's need to have a baby and his sense of political irrelevance. Marco tries to do right by his family responsibilities while discovering how his photos honorably testify to the value of his subjects so that his profession has significance. The story doesn't tie things up neatly by giving one pat solution to the question of why we should go on living. Instead, it accomplishes something that comics can do especially well by juxtaposing bits of life, panels that celebrate happiness next to ones drenched in anger, necessary solitude balanced by companionship. By uniting those conflicting images together within himself, Marco discovers the strength to go on. This is a subtle, powerful work, using the tools of comic art beautifully. (July)
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*Starred Review* Near the end of the first half of his story (Ordinary Victories, 2005), photojournalist Marco learned that his Alzheimer’s-afflicted father had killed himself. This half opens with Marco and Emily helping his mother clean out her husband’s leavings. She cherishes the memories, not the stuff, but since she knows her elder son, she gives him his father’s journal and cache of mementos, mostly photographs. Marco is enraged by the neutral observations in the journal, disturbed by the photo of his father in the army, standing beside his sergeant—the old man Marco befriended in the first book, then spurned after learning of his past. Now Marco goes to the man and discovers his father’s unfitness for soldiering and the sergeant’s kindness in getting him out of harm’s way. Simultaneously, Marco is working toward acceding to Emily’s desire for a child. A falling-out with his angrily grieving brother, more of the panic attacks that short-circuited his war-photographer career, and, a few years on, his little daughter’s vigorous love and the closing of the shipyard he documented for his professional comeback are just some of the big developments before the peaceful, domestic ending of this masterpiece, the best example of graphic-novel realism to date. --Ray Olson

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