"synopsis" may belong to another edition of this title.
A work of theory made practical and a personal notebook made public, CONVERSATIONS IN PAINT is an innovative introduction to the language of painting-and how to speak it fluently.
In a series of succinct, two-page "conversations," inventively illustrated and buttressed by quotations from famous artists and teachers, Charles Dunn explains the rules to paint by. Here are the four principles of design: contrast, gradation, theme and variations, and restraint. The linear versus the painterly. Expression and mood. Open and closed color. The three-value system. One-point, two-point, and three-point perspective. Pieter de Hooch's virtual textbook on representing volume. Underpainting and layering. Plus value systems, studio habits, drawing techniques, insights into learning, and much more. A lifelong painter and student of painting, Dunn has distilled his years behind the brush into lessons that will benefit anyone, from beginner to accomplished artist.
Dunn, a marketing consultant, took his first art class at the age of 35. Thus, this volume, in the form of a "notebook," is written by and for the amateur painter with the attitude that all one needs to paint is desire. However, one of his major tenets?that talent is a myth?is a fallacy. Dunn covers the basic principles of design, contrast, theme, and perspective, but the design of the book itself muddies his intent. Structured more like an M.B.A.'s organizational chart, without chapter numbers as guides, the book is frustrating to work with. There is no lack of alternatives on the subject, such as Rex Brandt's Seeing with a Painter's Eye (Van Nostrand Reinhold, 1984).
Copyright 1996 Reed Business Information, Inc.
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