About the Author:
Julia Alvarez left the Dominican Republic for the United States in 1960 at the age of ten. She is the author of six novels, three books of nonfiction, three collections of poetry, and eleven books for children and young adults. Her work has garnered wide recognition, including the 2013 National Medal of Arts, a Latina Leader Award in Literature in 2007 from the Congressional Hispanic Caucus Institute, the 2002 Hispanic Heritage Award in Literature, the 2000 Woman of the Year by Latina magazine, and inclusion in the New York Public Library’s 1996 program "The Hand of the Poet: Original Manuscripts by 100 Masters, From John Donne to Julia Alvarez." In 2013, President Obama awarded her a National Medal of Arts. Alvarez has taught and mentored writers in schools and communities across America, most recently as a writer-in-residence at Middlebury College, until her retirement in 2016. For many years, she and her husband, Bill Eichner, ran Finca Fundación Alta Gracia, an organic coffee farm-literacy arts center they established in her Dominican homeland. She is a co-founder and convener of Border of Lights, a collective of activists committed to promoting peace and solidarity between the Dominican Republic and Haiti. In 2009, In the Time of the Butterflies was selected by the National Endowment for the Arts for its national Big Read program.
From Publishers Weekly:
Author of the popular novels How the Garcia Girls Lost Their Accents and In the Time of the Butterflies, Alvarez continues to explore themes of cultural difference and personal experience in her new collection of poems. The book, which marks her fourth collection of poetry, comprises 75 poems of 30 lines each; the formal constraint is an organizing principle for these sometimes meandering autobiographical poems. A good many poems explore her development and status as a writer, specifically as a Latina: "Even I, childless one, intend to write/ New Yorker fiction in the Cheever style / but all my stories tell where I came from." The midsection of the book, "The Woman I Kept to Myself," roams from nostalgic reflections on childhood birthday presents to meditations on eating disorders to speedily resolved family conflicts to personal, and worldwide, losses: "Why did it take so long? Mom and Dad's deaths/ a friend's cancer, a cousin's accident/ the Twin Towers, the war on innocents...." Seeing the first signs of spring sets the world to rights again: "Then suddenly, a daffodil, a patch/ of crocuses... and back into the intact Towers flew/ stick figures, like a film in reverse." Most poems here arrive at similar recastings of hard truths; often, however, one feels that both sides of the equation are too easily won, drawing close to cliche and facile reconciliation: "I've woken to the world just as it is," she writes, "and that's enoughâ€"in fact, more than enough."
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