When renowned cellist Mstislav Rostropovich died less than a year ago at the age of eighty, the world lost not only an extraordinary musician but an accomplished conductor, an outsize personality, and a courageous human being. "It is not an exaggeration to say that the history of the cello in the twentieth century would be unthinkable without the name of Mstislav Rostropovich," writes Elizabeth Wilson. "He has seemed to me like a personification of the cello itself." Ms. Wilson, a former student of "Slava" and the acclaimed biographer of both Shostakovich and Jacqueline du Pré, has written the definitive biography of the master. Rostropovich teems with entertaining anecdotes and therefore brings the reader as close as one can get to the method and psychology of Rostropovich's playing and teaching.
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Elizabeth Wilson is a pioneer in the development of fashion studies, and has been a university professor, feminist campaigner and activist. Her writing career began in the 'underground' magazines of the early 1970s, (Frendz, Red Rag, Spare Rib, Come Together) before she became an academic. She's written for the Guardian and her non-fiction books include Adorned in Dreams (1985, 2003), The Sphinx in the City (1992) (shortlisted for the Manchester Odd Fellows Prize), Bohemians (2000) and Love Game (2014) (long listed for the William Hill sportswriting prize), as well as six crime novels, including War Damage (2009) and The Girl in Berlin (2012) (long listed for the Golden Dagger Award).
London-based cellist Wilson, author of Shostakovich and Jacqueline du Pré, studied with acclaimed cellist and conductor Mstislav Rostropovich (1927–2007) at the Moscow State Conservatory from 1964 to 1971. Noting that the Russian-born Rostropovich dominated the international concert scene for more than half a century, she adds, For nearly as long as this, he has seemed to me like a personification of the cello itself. Her key source is Rostropovich, as she interviewed him in nine cities across Europe over a span of 10 years. Writing with an exacting precision and exhaustive research, she has succeeded in documenting all aspects of his life as a musician and teacher in meticulous detail, taking the reader on a soaring journey that highlights his days with Britten, du Pré (a voyage of discovery by equal masters, an inspired dialogue between two extraordinary artists), Prokofiev and Shostakovich. Other chapters cover his influence and teaching methods and include an insightful analysis of the metaphysical aspect of sound in his music. With arpeggios of anecdotes punctuating her personal memories, Wilson has composed a symphony of sentences, a definitive portrait of the master cellist certain to be greeted with a crescendo of applause from both book lovers and music lovers. 40 b&w photos. (Jan. 4)
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