"Fluid and poetic as well as terrifying." —New York Times Book Review
"Dazzling . . . a seamless mixture of magic realism, satire and futuristic fiction." —San Francisco Chronicle
"Impressive . . . a flight of fancy through a dreamlike Brazil." —Village Voice
"Surreal and misty, sweeping from one high-voltage scene to another." —LA Weekly
"Amuses and frightens at the same time." —Newsday
"Incisive and funny, this book yanks our chains and makes us see the absurdity that rules our world." —Booklist (starred review)
"Expansive and ambitious . . . incredible and complicated." —Library Journal
"This satiric morality play about the destruction of the Amazon rain forest unfolds with a diversity and fecundity equal to its setting. . . . Yamashita seems to have thrown into the pot everything she knows and most that she can imagine—all to good effect." —Publishers Weekly
A Japanese man with a ball floating six inches in front of his head, an American CEO with three arms, and a Brazilian peasant who discovers the art of healing by tickling one's earlobe, rise to the heights of wealth and fame, before arriving at disasters—both personal and ecological—that destroy the rain forest and all the birds of Brazil.
Karen Tei Yamashita is the author of Through the Arc of the Rain Forest, Brazil-Maru, Tropic of Orange, Circle K Cycles, I Hotel, and Anime Wong, all published by Coffee House Press. I Hotel was selected as a finalist for the National Book Award and awarded the California Book Award, the American Book Award, the Asian/Pacific American Librarians Association Award, and the Association for Asian American Studies Book Award.
"synopsis" may belong to another edition of this title.
Karen Tei Yamashita: Karen Tei Yamashita is the author of Through the Arc of the Rain Forest, Brazil-Maru, Tropic of Orange, Circle K Cycles, I Hotel, and Anime Wong, all published by Coffee House Press. I Hotel was selected as a finalist for the National Book Award and awarded the California Book Award, the American Book Award, the Asian/Pacific American Librarians Association Award, and the Association for Asian American Studies Book Award. She has been a US Artists Ford Foundation Fellow and co-holder of the University of California Presidential Chair for Feminist & Critical Race & Ethnic Studies. She is currently Professor of Literature and Creative Writing at the University of California, Santa Cruz.
“Fluid and poetic as well as terrifying.” ―New York Times Book Review
“Bizarre and baroque, funny and sad. Yamashita's novel may say more about saving the rain forest than its nonfiction counterparts do.” ―Utne Reader
“Dazzling . . . a seamless mixture of magic realism, satire and futuristic fiction.” ―San Francisco Chronicle
“An imaginative tour de force.” ―Capital Times
“Impressive . . . a flight of fancy through a dreamlike Brazil.” ―Village Voice
“Surreal and misty, sweeping from one high-voltage scene to another.” ―LA Weekly
“Amuses and frightens at the same time.” ―Newsday
“Parodies misguided development the way Catch-22 did senseless wars . . . mak[ing] us laugh and cry.” ―Sierra
“An ecological fantasy that skewers giant corporations, religion, fads, yuppies and just about every kind of greed. It may be the world’s first multicultural condemnation of capitalism.” ―Pioneer Press
“An explosive satire about mortality and catastrophe.” ―Asian Week
“Smooth and seamless.” ―A Magazine
“An exuberant black comedy.” ―Daily Yomiuri
“The American equivalent of Joseph Conrad’s Congo in The Heart of Darkness.” ― Rafu Shimpo
“Yamashita has drawn upon her considerable inventive powers to deliver a good read.” ―Amerasia Journal
“Thoroughly entertaining.” ―Stanford Daily
“Incisive and funny, this book yanks our chains and makes us see the absurdity that rules our world.” ―Booklist (starred review)
“Expansive and ambitious . . . incredible and complicated.” ―Library Journal
“Yamashita’s biting satire is a powerful test of our senses, our sensitivities and sensibilities. I haven’t been as enthralled since having read Kurt Vonnegut’s Slaughterhouse Five.” ―Special Libraries Association
“This satiric morality play about the destruction of the Amazon rain forest unfolds with a diversity and fecundity equal to its setting. . . . Yamashita seems to have thrown into the pot everything she knows and most that she can imagine―all to good effect.” ―Publishers Weekly
“[T]he woes and ills of contemporary society are acutely described here; but Yamashita’s affection for the quirkiness of human nature, as well as her sympathy for her characters’ plights, makes this a novel, not a polemic. A fine debut.” ―Kirkus
“Through the Arc of the Rain Forest attacks environmental devastation through the logic of satire and the sensibilities of the poetic mind. Yamashita plays out today’s soap opera of the futility of man’s faith in technology on the stage where it is currently most brutal, stupid and immoral: Brazilian Amazonia.” ―Charles L. Hogue, Curator, National History Museum of Los Angeles
Fluid and poetic as well as terrifying.” New York Times Book Review
Bizarre and baroque, funny and sad. Yamashita's novel may say more about saving the rain forest than its nonfiction counterparts do.” Utne Reader
Dazzling . . . a seamless mixture of magic realism, satire and futuristic fiction.” San Francisco Chronicle
An imaginative tour de force.” Capital Times
Impressive . . . a flight of fancy through a dreamlike Brazil.” Village Voice
Surreal and misty, sweeping from one high-voltage scene to another.” LA Weekly
Amuses and frightens at the same time.” Newsday
Parodies misguided development the way Catch-22 did senseless wars . . . mak[ing] us laugh and cry.” Sierra
An ecological fantasy that skewers giant corporations, religion, fads, yuppies and just about every kind of greed. It may be the world’s first multicultural condemnation of capitalism.” Pioneer Press
An explosive satire about mortality and catastrophe.” Asian Week
Smooth and seamless.” A Magazine
An exuberant black comedy.” Daily Yomiuri
The American equivalent of Joseph Conrad’s Congo in The Heart of Darkness.” Rafu Shimpo
Yamashita has drawn upon her considerable inventive powers to deliver a good read.” Amerasia Journal
Thoroughly entertaining.” Stanford Daily
Incisive and funny, this book yanks our chains and makes us see the absurdity that rules our world.” Booklist (starred review)
Expansive and ambitious . . . incredible and complicated.” Library Journal
Yamashita’s biting satire is a powerful test of our senses, our sensitivities and sensibilities. I haven’t been as enthralled since having read Kurt Vonnegut’s Slaughterhouse Five.” Special Libraries Association
This satiric morality play about the destruction of the Amazon rain forest unfolds with a diversity and fecundity equal to its setting. . . . Yamashita seems to have thrown into the pot everything she knows and most that she can imagine all to good effect.” Publishers Weekly
[T]he woes and ills of contemporary society are acutely described here; but Yamashita’s affection for the quirkiness of human nature, as well as her sympathy for her characters’ plights, makes this a novel, not a polemic. A fine debut.” Kirkus
Through the Arc of the Rain Forest attacks environmental devastation through the logic of satire and the sensibilities of the poetic mind. Yamashita plays out today’s soap opera of the futility of man’s faith in technology on the stage where it is currently most brutal, stupid and immoral: Brazilian Amazonia.” Charles L. Hogue, Curator, National History Museum of Los Angeles
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