Winner of the Max Ritvo Poetry Prize, Ryann Stevenson’s Human Resources is a sobering and perceptive portrait of technology’s impact on connection and power.
Human Resources follows a woman working in the male-dominated world of AI, designing women that don’t exist. In discerning verse, she workshops the facial characteristics of a floating head named “Nia,” who her boss calls “his type”; she loses hours researching “June,” an oddly sexualized artificially intelligent oven; and she spends a whole day “trying to break” a female self-improvement bot. The speaker of Stevenson’s poems grapples with uneasiness and isolation, even as she endeavors to solve for these problems in her daily work. She attempts to harness control by eating clean, doing yoga, and searching for age-defying skin care, though she dreams “about the department / that women get reassigned to after they file / harassment complaints.” With sharp, lyrical intelligence, she imagines alternative realities where women exist not for the whims of men but for their own—where they become literal skyscrapers, towering over a world that never appreciated them.
Chilling and lucid, Human Resources challenges the minds programming our present and future to consider what serves the collective good. Something perhaps more thoughtful and human, Stevenson writes: “I want to say better.”
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Ryann Stevenson is the author of Human Resources. Her poems have appeared in the Adroit Journal, American Letters & Commentary, Bennington Review, Columbia Poetry Review, Cortland Review, Denver Quarterly, and Linebreak, among others. She lives in Oakland, California.
BEAUTY MASK
I was hired to design the voices of virtual beings. The first thing my boss taught me was trust must be established immediately between user and bot. This will never happen if the eyelashes are wrong, he insisted as we workshopped Nia’s face—an intelligent avatar we were contracted to create for a teaching proof of concept. The requirements were few: female, racially ambiguous, unique mouth animation for every phoneme, head without a neck preferred. He looked at her, said she was his type. Like all of our avatars, Nia was modeled using The Marquardt Beauty Mask, which utilizes The Golden Ratio to measure universally beautiful facial characteristics. My boss explained that a user’s recognition of beauty is actually nothing more than a recognition of humanness. This doesn’t mean all humans are beautiful. Simply, the more beautiful, the more humane.
SHEEP
I was moving across the country for a man
and a job. The man
happened first and the job followed
which made me lucky.
The girl next to me
rubbed a stick with a roller ball on the end
over her inner wrists, top notes of rancid
butter and sugar complimenting
my Sonoma Blend. The flight attendants
gave a dramatic reading
of each other’s bio: Mark swore by CrossFit
and Candy’s favorite color was clear.
The girl continued applying products,
opening an egg with a mound of mint
lip balm inside, then using her finger
to dab it on her eyebrows,
brushing the little hairs upward
with her nails.
I was probably around her age
when I first shaved all my body hair
using a whole pack of Schick twins
after my friend went with a boy
into the back room of his basement,
where his dad kept the weights.
After, he’d given her a nickname,
something to do with wooly mammoths.
A Merino sheep named Shrek
was a minor story
in the back of my in-flight magazine.
For years he hid in a cave
so he wouldn’t be sheared,
and when he was found was a hero for a day
before he was shaved on live news, enough wool
for twenty mens’ suits.
But that’s not where the humiliation ended,
I wanted to lean over and tell the girl,
he was shaved again on an iceberg floating
off the coast of New Zealand.
Of course I didn’t say a word to her,
just kept drinking my shit wine
as we flew over the white puffs
doing the only thing they can do.
DEEP LEARNING
Fall arrived after a long summer.
We sat on the porch with a friend,
inviting the cold to make our breathing visible.
Our friend asked if we have any memories
that can’t possibly be true.
Days after, I tried again to write
the impossible memory
I’ve been trying to write forever
about my mom digging up
the enormous birch in our front yard
with her bare hands.
She dragged the tree’s long body
through our starter home, trailing dirt
up the stairs (I can see the dirt
on the cream carpet),
then shoved it under their bed,
the roots sticking out from the bottom.
I remember how, after catching
her breath, she said
nothing, wiped her hands
on her cut-offs as if
she’d only just made a sandwich.
All these years
I’ve taken this away from her.
HUMAN RESOURCES
I spend all day trying to break a female
bot who wants to coach me
to be my best self. Time to figure out
dinner again, time to plug in
my phone for the third time today.
On my way to the store my car plays me a voice
message from my grandmother. For Christmas,
she wants a pet robot she heard about
on the radio: a life-sized adult cat
that purrs when rubbed in the right places.
She thinks I create these creatures
but it’s God who creates them.
I hear a clock tick. I listen for the food
to tell me it’s time. You ask me if I’m sure
after I say I’m okay after you ask me
if I’m okay, knowing you said something hurtful.
On the kitchen counter, a faded splash of orange
where battery acid spilled from our emergency
flashlight. I return to it each day with the
Magic Eraser. Something about the way
the Ferrante translation uses the word suffer.
I want to go back and change my answer.
When I lay down, the work day’s still going in my head:
and of course you’ll want a female bot that’s what everyone wants
the best part is you can change her clothes with the seasons.
I dream about the department
that women get re-assigned to after they file
harassment complaints. I dream this
because it happened. Under a drop ceiling
each woman has her own fax machine
to do her pretend work: messages scribbled
on lightweight paper and sent
to nowhere. I don’t get to see the words,
but know what they say.
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