Jeremy Gerard Wynn Place Show

ISBN 13: 9781575258669

Wynn Place Show

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A Biased History of the Rollicking Life & Extreme Times of Wynn Handman and the American Place Theatre.

WYNN HANDMAN is the co-founder and artistic director of THE AMERICAN PLACE THEATRE, which produced the work of American poets Robert Lowell, Anne Sexton and William Alfred as well as early plays by Sam Shepard, Ronald Ribman, Ed Bullins, Steve Tesich, Maria Irene Fornes, Eric Bogosian and Aasif Mandvi. Future stars who studied with him or appeared in APT productions include Frank Langella, Dustin Hoffman. Joel Grey, Roscoe Lee Browne, Marian Seldes, Faye Dunaway, Richard Gere and Olympia Dukakis. Since 1994, APT s Literature To Life program has brought live performances of
contemporary literary works to thousands of students across the U.S.

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About the Author:

Jeremy Gerard, the chief drama critic and a cultural news editor for Bloomberg News, has written about the lively arts since 1975 as Broadway reporter for The New York Times, chief drama critic for the Dallas Morning News and Variety, and columnist and reviewer for Soho Weekly News and New York magazine. He has taught criticism and cultural reporting in the graduate school of journalism at Columbia University. A member and past president of the New York Drama Critics Circle, Gerard has served as a juror for the Pulitzer Prize for Drama, including as jury chairman, and been a guest judge for the Village Voice Obie Awards and the Lucille Lortel Awards. His book Act Two: Creating Partnerships and Setting Agendas for the Future of the American Theater, about the Second American Congress of Theater, was published in 2003 by Theater Communications Group. A Distinguished Alumnus of Purchase College, Gerard lives in New York City.

Review:

"In this overdue biography of an outstanding teacher and an adventurous company, Mr. Gerard, a former Broadway reporter for The New York Times, engagingly recounts Mr. Handman's long and storied career 'as a force against mediocrity and complacency.'" -- The New York Times, 02/21/2014

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